While the logical concerns don’t sink this ship, muffed details have it awash at the scuppers.
A father-and-child team venture out together on their tugboat, rescuing a small boat and navigating a storm before returning safely to their harbor.
Evocative watercolor illustrations effectively convey the ocean and harbor setting with azure skies, puffy clouds, swirling seas, and a rip-roaring thunderstorm with lightning streaking across purplish skies. While the intriguing illustrations are the book’s strongest feature, several illustrations do not have exact picture-to-text correlation. Some perplexing depictions that could disorient coastal readers include an ocean liner on a direct path for collision with a sailboat and the tugboat (as well as the nearby shore) and a jet shown in the hangar bay of an aircraft carrier, which would not likely be anywhere near this small harbor. Safety-conscious readers will be concerned by the lack of clearly depicted personal flotation devices on the child and father. The child (who is androgynous) is shown wearing a slim vest, but it isn’t clearly a life jacket. Sharp-eyed readers will note that the line that’s towing the dinghy the tug rescues disappears in some pictures, as does the dinghy’s occupant. The cast of characters includes people of color; the child’s father has light skin and dark hair, and the mother presents as Asian. The short, rhyming text conveys a dramatic and interesting story, but in the pictures, too many extraneous types of boats make unnecessary and illogical appearances. Nautical terms used in the story are defined in a glossary.
While the logical concerns don’t sink this ship, muffed details have it awash at the scuppers. (Picture book. 4-7)Pub Date: May 14, 2019
ISBN: 978-1-4847-9952-9
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
A heartwarming testament to music’s emotional power.
Music moves a nonverbal child to speak.
The narrator explains that Ronan was “born quiet. Some days he hardly says a word.” Today, when Father and Mother suggest outings to the beach or park, he’s quiet. But he looks up when Grandfather bursts in and proposes attending a concert. With refreshing optimism, Grandfather proclaims it “an adventure,” though Ronan’s parents worry about the “challenge” and “risk” of taking him to a performance. And when Ronan, his dog, and Grandfather reach Symphony Hall, an adventure it is. When the music starts, Ronan is swept away in a whirl of notes. Collectively, the instruments sound like “a sky full of stars,” sending him and his cheerful pup into a space-themed reverie. Boss notes that “the darker instruments sound cool and frightening” and the lighter ones sound “warm and friendly” but does not name the instruments, a missed opportunity to deepen readers’ understanding of the music enthralling Ronan. Audience and orchestra members alike are moved to laughter and applause when the music stops, and an awed Ronan utters his first “WOW!” Kheiriyeh’s endearing, pastel-hued cartoon illustrations convey Ronan’s astonishment and joy. Though an author’s note explains that the story is based on an actual nonverbal child’s experience of a Mozart piece in 2019, details such as Mother’s pearls and housedress and Grandfather’s finned car evoke a bucolic 1950s setting. Ronan and his family present white; background characters are racially diverse.
A heartwarming testament to music’s emotional power. (Picture book. 4-6)Pub Date: April 2, 2024
ISBN: 9781534499713
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Perfunctory and disappointing, this retelling of a classic fairy-tale ballet falls short.
One of the ballet world’s most enduring and endearing productions receives a picture-book staging.
Tchaikovsky composed three great ballet scores, and that for The Sleeping Beauty is certainly beautifully enchanting. Productions fill the stage with sumptuous sets and costumes, and the dancers perform every range of steps from delicate to bravura. Unfortunately, none of this is evident in this version. The retelling of the classic fairy tale, told in the present tense, lacks poetic nuance. The mixed-media illustrations, albeit showing a diverse cast, are cartoonish and busy and do not portray anything much resembling ballet steps. The “Rose Adagio,” when the 16-year-old princess dances with four suitors and performs audience-thrilling balances, is only hinted at in the illustrations. Likewise, the very entertaining fairy-tale characters of the wedding scene are here just part of a crowded double-page spread. The fairies are often depicted floating overhead while barefooted. The gimmick of the book, a musical accompaniment, is actually 10 bursts of tinny sounds that are too brief to be of lasting value. At the end of the book, the author does describe the instrumentation for many of the scenes, but this information is inadequate.
Perfunctory and disappointing, this retelling of a classic fairy-tale ballet falls short. (note on Tchaikovsky, glossary) (Picture book. 4-7)Pub Date: Oct. 16, 2018
ISBN: 978-1-78603-093-1
Page Count: 24
Publisher: Frances Lincoln
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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