by Catherine Buquet ; illustrated by Marion Arbona ; translated by Erin Woods ‧ RELEASE DATE: March 1, 2017
Memorable and instructive without a hint of didacticism.
A grumpy man fights a rainstorm and other pedestrians but learns a lesson when his umbrella goes flying.
Pithy poetry pairs with artful illustrations in this Canadian import, translated from the French. A dark double-page landscape of gray rooftops pelted with rain shows a swath of white light shading into yellow. In the upper right-hand corner is the couplet, “He grumbled at the raindrops / on the rooftops of the town.” And in the next two-page spread, “He growled at the clouds / and at the crowds / that slowed him down.” The wind is so strong the grumpy white man bends nearly double against it. In the distance is a patisserie with a red-and-white–striped awning and a little white boy staring, “entranced,” into the window. The man sees none of this. A gust of wind sends his umbrella flying, and the little boy catches and returns it, immediately returning his attention to the window of treats. With just a moment’s hesitation, the man hands the umbrella back to the boy, enters the shop, and buys a juicy raspberry tart for the boy. When he shares half of it with the man, the atmosphere beneath the umbrella is transformed to tropical sunlight. Arbona’s fantastical illustrations play with perspective, shape, and pops of bright color that enliven scenes primarily composed of black, gray, and white. Buquet’s text is translated into well-crafted verse by Woods.
Memorable and instructive without a hint of didacticism. (Picture book. 4-8)Pub Date: March 1, 2017
ISBN: 978-1-7727-8016-1
Page Count: 32
Publisher: Pajama Press
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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