edited by Catherine Burns ‧ RELEASE DATE: March 19, 2019
Captivating, artfully wrought tales.
Heartfelt stories bear eloquent witness to hopes, dreams, and triumphs.
Storytelling—in theaters, on a podcast, and on a weekly public radio show—is the mission of the nonprofit organization The Moth. From the thousands of stories shared since its founding in 1997, editor Burns (The Moth Presents All These Wonders, 2017, etc.), the organization’s artistic director, offers selections from an international roster of presenters. Some storytellers may be familiar to readers: Singer-songwriter Rosanne Cash reflects on feeling anxious and disoriented after moving to New York with her children after her divorce. On a similar theme, New Yorker staff writer Adam Gopnik considers how his daughter’s imaginary friend taught him what he really wanted from living in Manhattan. Psychologist and memoirist Andrew Solomon writes about starting his own “post-nuclear family” with his husband despite “complicated and difficult and elaborate circumstances.” Emmy-winning performer Faith Salie relates her obsessive search for the perfect dress to wear to divorce court. Most voices are new, imparting intimate, moving anecdotes about life, love, friendship, parenthood, and identity. Several presenters disclose the tensions over coming out as gay, dealing with poverty and homelessness, or confronting others’ perceptions of oneself as different. Undergraduate Aleeza Kazmi, of Afghan and Pakistani heritage, proclaims that she has “worked so hard to love the skin I’m in, and nothing anyone says can take that away from me.” Activist Barbara Collins Bowie recalls growing up in Mississippi during Jim Crow, when her mother’s health crisis made her realize that the civil rights movement was “a fight for life and death.” Mary Theresa Archbold, who stealthily hid her prosthetic arm from friends and roommates, writes of the challenges of being a one-armed mother of an infant. British polar explorer Ann Daniels, mother of triplets, risked her life in defiantly trekking to the North and South Poles. Vietnamese engineer Jason Trieu tells the wrenching story of escaping from South Vietnam two weeks before the region fell to the North, one of several tales of resilience and determination in the face of terror.
Captivating, artfully wrought tales.Pub Date: March 19, 2019
ISBN: 978-1-101-90442-8
Page Count: 368
Publisher: Crown Archetype
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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edited by Catherine Burns
BOOK REVIEW
edited by Catherine Burns
by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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SEEN & HEARD
SEEN & HEARD
by Robert Greene ‧ RELEASE DATE: Nov. 13, 2012
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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