This serious effort to evoke the crucible of German fascism proves less effective at conveying emotional resonance.
The perspectives of perpetrators, victim, and bystanders evoke the horrors of the Buchenwald concentration camp.
Noted New Zealand author Chidgey’s latest is a lengthy, well-researched addition to the already sizable shelf of Holocaust fiction. Dr. Lenard Weber is a Mischling, only part Jewish, but he ends up at Buchenwald, having been summoned there by Sturmbannführer Dietrich Hahn. Hahn’s role at the camp is administrative officer—overseeing budgets, plumbing, etc. The inmates are less than human to him but not so his wife, Greta, with whom he lives in a luxury villa. When Greta develops ovarian cancer, Dietrich will try any medical resource, which leads him to Weber, inventor of the Sympathetic Vitaliser, a machine designed to destroy cancerous tumors. Weber narrates his story in 1946, via letters written to his daughter, who's in the Theresienstadt ghetto; Dietrich’s account dates from the 1950s; Greta's "imaginary diary" takes her from 1943 to 1945; and a fourth narrative voice emanates from 1,000 citizens of Weimar, whose awareness of the vast camp nearby is filtered through propaganda, self-interest, and delusion. Packed with precise details about the camp, German culture, the Nazi machine, and much more, the novel offers a sober reflection on a country seized by dehumanizing insanity, corrupted by lies and cruelty. Yet the characterization is predictable, especially when it comes to Dietrich, a familiar blend of Aryan orderliness, contempt, and deception. Greta senses the abyss on her doorstep but averts her eyes. Weber is a sympathetic lens through which the worst of the suffering may be glimpsed. And the Weimar citizens embody denial, disgust, and disbelief. As the war wraps up, deliverance for one survivor contrasts with guiltless acceptance by the German community.
This serious effort to evoke the crucible of German fascism proves less effective at conveying emotional resonance.Pub Date: May 4, 2021
ISBN: 978-1-60945-627-6
Page Count: 464
Publisher: Europa Editions
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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