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A HOUSE DIVIDED

The last Tyneside romance by Dame Catherine Cookson (1906'98). In her final melodrama, Cookson seems to make peace with the class conflict that was the engine of most of her stories. It’s after WWII, and her officers and enlisted joes are evolving into one happy meritocracy, though not without trouble along with way. Upmarket Capt. Matthew Wallingham, 29, is blinded in Italy, after four tough years of service and having earned the respect and loyalty of his men. In the hospital he’s helped through a crisis by Liz ('Ducks') Ducksworth, a nurse he believes is a motherly 49. Actually Liz, a farmer’s daughter, is 24, and the two are reunited when Matthew begins a course in physiotherapy at the same hospital where Liz has taken a job. Matthew lives at the Beavors, near Newcastle, with his extended family: his father, a military man who has late in life developed multiple sclerosis; Peter, another of Cookson’s aristocratic servants whose intelligence and character gain them the status of friend; Matthew’s sad mother, who has a deeply affectionate if unconsummated relationship with Peter; Matthew’s jealous brother, Rodney, whom no one likes very much; and their lovable, crotchety grandmother, 'Granan,' whose powers have not been diminished with age. Add to the mix Jim, the lower-class man who becomes Matthew’s driver, friend, and helpmeet, and a houseful of jolly and well-adjusted family retainers, all of whom assist Matthew and Liz in sorting out their situation and fending off their enemies. Liz is assaulted by an old flame, and hateful Rodney tries to murder his brother. But the family ties the couple have forged'even the one with Flossie the dog'rescue them both. And since this is a romance, Matthew is hit on the head and regains his sight. 'Damned silly thing for me to bring up, class,' says Granan. Despite the sacharrine quality of this farewell, that was the least silly thing Cookson did.

Pub Date: Feb. 22, 2000

ISBN: 0-684-87121-1

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2000

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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