Inconsequential—and disappointing—second urban tale by Hiller (Morton Street, 1990), this revolving solely around the issue of whether it's better to love Manhattan or leave it. Laurie Simon is a native New Yorker, and as a book editor with a Greenwich Village apartment, two kids attending her own childhood public schools, and a cameraman/director husband, Michael, who adores her, Laurie feels she's living the good life in her hometown. The rub lies with Michael, who longs to try his luck in California by opening a production company there. His resentment at instead having to pass his years in hateful Manhattan has resulted in a constant, low-grade fury—and that anger has in turn translated into a chronic physical pain for Laurie that the couple refer to familiarly as her ``thing.'' When the pressure from Michael finally proves too much, Laurie gives up her job, sublets the apartment, and transports the family to Santa Monica. Laurie is not surprised at the homogenized strangeness of the West Coast, but she is taken aback as her chronic pain begins to fade with California-style therapy, and as a house with a pool turns out to be a pleasure to have around. The Simons begin to believe they might actually be happy—until teenaged son Andy flees back to his girlfriend in New York and an earthquake knocks a tree into the Simons' rented living room. Chastened, they follow Andy back east, where they find, to Laurie's relief, that the suburbs of Westchester offer the best of both worlds. Creating a procession of mundane problems for her characters, only to solve them before each chapter's end (Laurie's afraid to drive, but then she adapts; subletting the New York apartment might prove difficult, but instead proceeds without a hitch, etc.), Hiller fails to engage the reader emotionally or provide any kind of dramatic or comedic climax. A particularly cruel letdown, then, after such an entertaining debut.
Pub Date: Nov. 16, 1993
ISBN: 0-312-09760-3
Page Count: 272
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1993
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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