THE FUTURE

In this lyrical novel of suspense, a grandmother searches for her missing granddaughters in an alternate, dystopian version of Detroit.

In Fort Détroit, a city that was never ceded by the French and whose urban center is roiling with toxic spills and lawlessness, grieving grandmother Gloria has moved into her daughter’s city-center house under the most dire of circumstances: Judith, the daughter, was found murdered, drowned in her own bathtub, and Judith’s daughters, 15-year-old Cassandra and Mathilda, 12, have disappeared from their troubled home. Gloria gradually gets to know her neighbors, including Solomon, a gentle, softhearted gardener, and straight-talking Eunice, who’s recently lost her father. Gloria pursues fruitless inquiries with the local police, and then, frustrated, she finally decides to explore the local park, Parc Rouge, basically a dense and quasi-impenetrable forest that’s rumored to be inhabited by ragtag bunches of feral children. In this case, the rumors are true: These kids look out for each other, but they’ve also created a rigid set of rules and hierarchies. And watching over them all, kids and adults alike, is a large pit bull named Priscilla. The story, told from the points of view of various characters, including Priscilla, encompasses speculative alternative history as well as a dystopian future—albeit with utopian aspects—and is recounted in sometimes-feverish prose that pushes its boundaries into poetry and contains both violent and magical elements. In particularly compelling, funny, and entertaining scenes, bedtime stories are drawn from a mashup of multiple fairy tales, delivered in the children’s grammatically free-wheeling slang. Though the viewpoint switching is jarring at times, the narrative delivers a warm and wild portrait of ragged but purpose-built communities.

This atmospheric novel elevates disparate voices, drawing a complex picture of community-focused life beyond the family unit.