by Catherine Ryan Hyde ‧ RELEASE DATE: March 4, 2008
A gentle tale centering on how people come to grip with their pasts.
Hyde (Love In The Present Tense, 2006, etc.) chronicles two New Yorkers’ efforts to escape their different but equally constricting lives in a sweet tale openly modeled on West Side Story.
Alternating chapters between the two main characters, the author begins with Sebastian, a naïve 17-year-old who chafes under the domination of his strange, obsessive father. Home schooling prevents him from making friends his own age, and he’s almost completely isolated until a doctor’s orders give him a chance to escape his stifling apartment for a few hours each day to get fresh air and exercise. Sebastian spends most of his free time with his only friend, Delilah, an older black woman who has rented an apartment to be near her new grandchild. Delilah doesn’t just provide companionship, she also gives him permission to start living for himself. Aimlessly riding the subway late at night just to get out of the house, Sebastian sees a young woman who, like him, goes to the end of the line and back. The two feel an instantaneous spark and, despite several miscues, finally manage to connect. Her name is Maria, and she’s riding the Lexington Avenue line during the hours she’d normally be working to keep her abusive boyfriend Carl, father of her two children, from discovering that she’s lost her job. When she and Sebastian find themselves falling in love, they see a chance to escape from their individual traps. She nicknames him “Tony,” so they’ll be Tony and Maria, just like in West Side Story. While the two plan, motherless Sebastian makes a devastating discovery that sends him to California to see his grandmother. That journey takes both him and Maria to the edge of a life-changing decision.
A gentle tale centering on how people come to grip with their pasts.Pub Date: March 4, 2008
ISBN: 978-0-385-52127-7
Page Count: 240
Publisher: Flying Dolphin/Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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