A smooth, gripping yarn, though it doesn’t quite deliver all it promises.
A kind man whose violent outbursts rob him of all he loves is the protagonist of Hyde’s third novel, slightly glib but possessing some of the quiet poignancy of its predecessor, Pay It Forward (2000).
Like a modern-day Job, Hayden Reese has been sorely tried. It’s bad enough that his hound Jenny, beloved companion of many years, died; that his lover, Laurel, went back to her husband; that he takes out his pain on the vet in his backwoods California town and ends up in jail (again); that Laurel comes around after he’s out and gets him to rescue her teenaged daughter, Peg, working against her will in a Nevada brothel; that Peg falls for him and sets in motion events that lead to Hayden lying in the dirt outside his house, bleeding from a shotgun wound inflicted by Laurel’s husband. Somehow (a bit too miraculously) he survives all of that, and angry, guilty, brawling Hayden gets another chance with Allegra, the daughter he hasn’t seen in 15 years. He’s angry because the wife he helped put through medical school left him when he nearly pummeled Allegra’s first date to death after the boy pawed her against her will. He’s guilty because he was having a first sexual encounter of his own when his reckless younger brother, whom Hayden had been ordered to be responsible for, decided to climb a transmission tower using a grappling hook and was electrocuted. And he’s brawling because that’s the way his strapping, archconservative father was; although he hates the man and beat him up before leaving home for good, using brute force was the only way he learned to cope with adversity. Now Allegra is getting married and wants him there, but first he has to make peace with the demons that have beset him for so much of his life.
A smooth, gripping yarn, though it doesn’t quite deliver all it promises.Pub Date: Nov. 3, 2000
ISBN: 0-7432-1118-9
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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