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TAKE ME WITH YOU

A story about good people doing their best to survive, combined with a message that will cause readers to close the book...

Hyde’s followers, who love the warmth and inspiration they draw from her work (Walk Me Home, 2013, etc.), won’t be disappointed by this latest effort.

August is on his way to Yellowstone to go camping, but his RV has broken down, leaving him and his small part–Jack Russell terrier, Woody, stranded in a one-horse desert town. While the mechanic, Wes, works on the vehicle, the science teacher frets that he won’t have enough money to make it to the park. He’s not going for pleasure, although that was the original purpose of the trip; instead, he’s transporting some of his son’s ashes so he can sprinkle them around the park. He and Phillip, who was killed in the car accident that led to the breakup of August’s marriage, had planned the trip together. Now it seems as though the RV’s engine repairs will eat up most of his cash. Then Wes makes August an offer he can’t refuse: Finish your trip, but take my two boys with you, and I won’t charge you anything. The boys, 12-year-old Seth, and Henry, 7, will go into the foster system if Wes, who's scheduled to serve 90 days in jail, can’t find an alternative. August refuses but finally relents, and what follows is a lifelong bond among a recovering alcoholic, a wise young boy who's been forced to play the grown-up since his mom walked out, and sweet but silent Henry. Hyde’s books can be almost relentlessly uplifting, but in her case, that’s not a bad thing. She does it well and manages to avoid bringing religion, schmaltz or improbable outcomes into the mix, instead relying on crisp, clean prose and a straightforward method of storytelling that has its own unique appeal.

A story about good people doing their best to survive, combined with a message that will cause readers to close the book feeling a bit more hopeful about humanity.

Pub Date: July 22, 2014

ISBN: 978-1-4778-2001-8

Page Count: 400

Publisher: Lake Union/New Harvest

Review Posted Online: June 18, 2014

Kirkus Reviews Issue: July 1, 2014

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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WHAT HAPPENS IN PARADISE

Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."

Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.

In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.

Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."

Pub Date: Oct. 8, 2019

ISBN: 978-0-316-43557-4

Page Count: 352

Publisher: Little, Brown

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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