MR. NOBODY

Drenched with seawater, bleeding from a head wound, and missing his memory, a man awakens on Holkham Beach in Norfolk, England. Written on his hand is a clue, but a clue to what? His identity? Or something more sinister?

Once taken to the hospital, the man initially called Mr. Nobody is dubbed Matthew, and although he cannot speak, brain scans reveal no physical trauma. When the leading neuropsychiatrist is unable to take on the case, he recommends Emma Lewis, who is eager to seize the chance to prove her new theories about fugue states. True fugue states are rare, but Matthew’s case seems authentic, and his brain scans share an odd anomaly with a previous case from years ago. Yet taking on Matthew’s care requires signing nondisclosure forms, leaving Emma wondering who is protecting this man. Worse, for the first time in 14 years, Emma will have to travel back to Norfolk, where something happened that left her so traumatized that she and her family needed new names. Once there, Emma reunites with Chris Poole, an old friend from school who’s now working for the police department. Romance sparkles, but Chris’ journalist wife, Zara, may hold cards spelling trouble not only for Emma, but also Matthew. Steadman (Something in the Water, 2018) once again brilliantly paces the action from the very first scene: a car wreck about to happen at whiplash-inducing speed. With each step, confusion descends, blurring the path forward with deliciously gothic twists. As in all good thrillers, lights unexpectedly snap out, a creepy house is hidden down a tree-woven lane, and long-buried secrets emerge. As Emma takes charge of her patient, his memories slowly entangle their pasts together, and exposing those secrets may imperil Emma’s very life.

A spellbinding thriller perfect for those dark and stormy nights.