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WHEN A KID LIKE ME FIGHTS CANCER

Targeted and right on target.

A child who has cancer learns what this means.

The first-person narrator, a kid with light-brown skin and curly black hair, begins the story with the diagnosis: “We get the news…I find out I’m a kid who has to deal with cancer.” No type of cancer is named. The text focuses gently around a learning theme: that cancer isn’t catching and isn’t anyone’s fault, that researchers far and wide are working on treatments, that “cancer is something you fight.” This patient has ample emotional support from parents, the medical team, and friends—the town even does a dedicated research fundraiser—and other child patients find moments in the hospital for silliness. However, fatigue and hair loss come along (a red hat is handy), and sometimes child and parent cry together, with sadness and fear unnamed but present. Chang plays with scale, making the kid tiny when enveloped in a parent’s arms and showing a bed as extra-long to emphasize its new primary role. Faces express a range of feelings but mildly, which will serve readers who have cancer (or who have friends with cancer) well. Mom has beige skin; the other parent (ungendered and tall) has medium-brown skin and curly black hair. There’s no prognosis, but the end hits a comforting note in the final item the protagonist learns: “I am not fighting alone.”

Targeted and right on target. (introduction) (Picture book. 4-9)

Pub Date: Sept. 1, 2019

ISBN: 978-0-8075-6391-5

Page Count: 32

Publisher: Whitman

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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GIRLS ON THE RISE

Enthusiastic and direct, this paean has a lovely ring to it.

Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.

“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.

Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)

Pub Date: Jan. 7, 2025

ISBN: 9780593624180

Page Count: 32

Publisher: Viking

Review Posted Online: Oct. 12, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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FIND MOMO EVERYWHERE

From the Find Momo series , Vol. 7

A well-meaning but lackluster tribute.

Readers bid farewell to a beloved canine character.

Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.

A well-meaning but lackluster tribute. (Picture book. 4-8)

Pub Date: Feb. 6, 2024

ISBN: 9781683693864

Page Count: 32

Publisher: Quirk Books

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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