by Catherine Whitney ‧ RELEASE DATE: May 15, 2009
A poignant memoir and consciousness-raiser, but not the clarion call that our veterans require.
Prolific ghostwriter Whitney takes her veteran brother’s untimely death—alone at age 53 with just $62 in his bank account—as a starting point for this meditation on what it means to be a veteran in America.
The nation’s ambivalence toward its veterans, the author suggests, is reflected in the contrast between words and deeds, between the ubiquity of yellow “support our troops” magnets on one hand and the number of veterans without adequate institutional support on the other. Whitney feels ambivalent about her estrangement from her brother, who served three tours in Vietnam as a combat engineer while she attended antiwar rallies stateside. “His resentment survived the decades,” she writes. “I was his Jane Fonda, the one who could never be forgiven.” Their personal conflict turned ugly nearly a decade after the war ended, and Jim disappeared to suffer his demons in solitude. Whitney persuasively argues that her brother’s fate is common among veterans of all ages. All but forgotten today, World War I veterans who had gathered in a tent city to shame the Hoover administration into raising their benefits were fired upon by troops ordered to the scene by Douglas MacArthur, who had convinced the president that the agitators were communists. Even the Greatest Generation vets, held up as models for the supposedly selfish Boomers of the Vietnam era, are not immune to the psychologically devastating effects of war. Whitney recounts numerous stories of retirees revisiting the horrors of long-ago battles with delayed posttraumatic stress disorder. More recently, veterans have had to fight an entrenched bureaucracy and partisan politicians to have their service-connected disabilities even recognized, let alone attended to. Though Whitney’s goal—to redress a wrong she feels she participated in against her brother and other veterans—is admirable, she ultimately becomes just another voice of complaint against a notoriously unjust system. She scolds but doesn’t offer a vision of how the system must change.
A poignant memoir and consciousness-raiser, but not the clarion call that our veterans require.Pub Date: May 15, 2009
ISBN: 978-0-306-81788-5
Page Count: 224
Publisher: Da Capo
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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