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THE BOY WHO LOST FAIRYLAND

Readers may wish the words were food, so they could eat them up. And they may keep reading this series for just as long as...

Why live in Kansas when you can stay in Oz? Valente may well have wondered at Dorothy’s inexplicable decision. 

At the end of The Girl Who Soared over Fairyland and Cut the Moon in Two (2013), 14-year-old September ran away from home to live in Fairyland. It was one of the best cliffhangers in recent fiction. Readers hoping for resolution will need to wait a little longer, as September hardly appears in this novel at all. As the title hints, it’s the story of a Changeling named Hawthorn, who takes the place of a human boy in Chicago. The book is full of Changelings of all stripes: trolls and humans and a girl made of wood. All of them, like September, feel out of place and far from home. Their stories are so sad and astonishing that even September—when she finally appears—may not be able to help them. If the ending feels a little abrupt, it’s because the story is so rich and complex that no book could resolve it. Even the minor supporting characters deserve novels of their own. Every page of this book contains at least one stunning sentence. Valente's descriptions of the human world make it sound like an exotic place, even when she just lists things to see: "diamonds and dinosaur bones and Canadian geese and the Cathedral of Notre Dame and ballpoint pens."

Readers may wish the words were food, so they could eat them up. And they may keep reading this series for just as long as people have been arguing about Oz. (Fantasy. 10-14)

Pub Date: March 3, 2015

ISBN: 978-1-250-02349-0

Page Count: 240

Publisher: Feiwel & Friends

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Jan. 15, 2015

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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STEELHEART

From the Steelheart series , Vol. 1

There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s...

A straight-up Marvel Comics–style action drama featuring a small band of human assassins taking on costumed, superpowered supervillains with melodramatic monikers.

It’s certainly a tried-and-true formula. Twelve years ago, a mysterious Calamity began turning random ordinary humans into evil Epics gifted with various combinations of superpowers (and also, always, some Achilles heel). Now, 18-year-old David Charleston manages at last to make contact with a cell of Epic-killing Reckoners led by legendary mastermind Jon Phaedrus. Then it’s on to a nonstop thrill ride that begins with the killing of David’s father 10 years before and roars through car and motorcycle chases, secret missions, huge explosions and hails of gunfire with high-tech weaponry to a climactic battle with Epic Steelheart. He’s bulletproof, shoots energy balls, has transformed the entire Chicago area into solid steel with a wave of his hand and wears a stylish silver cape. Shockingly, the book closes with the stunning revelation than not all Epics are evil through and through. As further sign that Sanderson (Rithmatist, 2013, etc.) isn’t taking any of this too seriously, the cast of Epics includes not only the likes of Steelheart, Faultline and Deathpoint, but Pink Pinkness and El Brass Bullish Dude, and some of their powers are equally silly. Stay tuned for sequels.

There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s missing are the pictures. (Fantasy. 11-14)

Pub Date: Sept. 24, 2013

ISBN: 978-0-385-74356-3

Page Count: 400

Publisher: Delacorte

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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