A ruthless but absorbing and provocative reshaping of the idea that the girlfriend dies, again.
In a slim book of linked short stories, Valente (The Girl Who Raced Fairyland All the Way Home, 2016, etc.) frees the voices of women from the world of comic-book superheroes.
In Deadtown, Valente’s vividly imagined land of the dead, a group of dead women gather at the Lethe Cafe to share their stories with each other. They call themselves the Hell Hath Club, and they have each suffered, disastrously and violently, through their relationships with superheroes. Paige Embry was a lab intern who created a mysterious substance that turned her boyfriend into the crime-fighting Kid Mercury and spawned a supervillain. Julia Ash was a superhero in her own right, with powers that grew ever stronger and eventually turned her fellow superheroes against her. Samantha Dane embodied the term that inspired the title of the book: she was an actual woman in a refrigerator, gruesomely murdered to serve as a plot device in the narrative of her boyfriend and his freshly minted powers. The world of the Hell Hath Club is packed with delightful details—in the land of the dead, the entertainment is excellent and includes burned-down theaters, forgotten songs, and all the beloved rock stars and actresses the world has lost—and enough solidity that you can imagine the comics these characters might have come from even though they do not exist. The stories are entertaining but not a romp. Valente chooses to eschew the soothing route of “saving” her heroines or even letting them save themselves. Instead, she gives them strong voices and allows them to rage, mourn, and regret. She gives them, and the reader, the chance to be furious at the common use of death and incapacitation of women as lazy plot points and reminds us that other stories are always possible.
A ruthless but absorbing and provocative reshaping of the idea that the girlfriend dies, again.Pub Date: June 6, 2017
ISBN: 978-1-4814-5934-1
Page Count: 160
Publisher: Saga/Simon & Schuster
Review Posted Online: April 1, 2017
Kirkus Reviews Issue: April 15, 2017
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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