Winter indeed becomes a weighty matter in this long-winded tale of two months in the life of back-country Maine—an area already thoroughly plumbed in the previous The Funeral Makers (1986) and Once Upon a Time on the Banks (1989). The first snow of the season has arrived in Mattagash, rehearsals for the Thanksgiving play are in progress, and 107-year- old Mathilda Fennelson—unaware that she's scheduled to receive the Thanksgiving 1989 award of recognition for being the oldest resident in the tiny town—lies quietly in Pine Valley Senior Citizens' Center dreaming of her difficult pioneer past. Mathilda's deathlike state casts a pall over this oddly muted version of the previously spirited Mattagash—combining with the effects of heavy snows and a proliferation of satellite dishes to evoke what appears to be a heavily anaesthetized village. Though Amy Joy Lawler, now in her 40s, is once again involved in a clandestine affair, she's too busy caring for her aged mother to pay much attention when her lover runs off to Arizona in pursuit of his wife and children. Dorrie and Lola, the Mutt-and-Jeff-like local gossipmongers, cruise through town spreading rumors as though they're on automatic pilot. Even Lynn Gifford seems oddly hypnotized as she rides the waves of her husband's drunken violence, continuing placidly to clean house and fix sandwiches for her kids even after her oldest son attempts to murder his father and then, in desperation, kills himself. Such a zombielike crowd is easy prey for ultra-religious Prissy Monihan, whose campaign to shut down the town's only bar succeeds brilliantly despite most of the population's profound regret. At least her passion provides some relief in this monochromatic tapestry, as depressing as a midwinter snow. A likely cause of cabin fever, no matter what the local climate.
Pub Date: Nov. 1, 1991
ISBN: 0-670-84090-4
Page Count: 384
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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