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CEASEFIRE!

WHY WOMEN AND MEN MUST JOIN FORCES TO ACHIEVE TRUE EQUALITY

A call for men and women to stand down from the gender wars, culminating with a 12-step program that is intended to lay common ground in “trying to make life better for all of us—women, men, and our children.” The author’s thesis is that, as feminists of the 1970s achieved the goals they appropriately sought—i.e., equality in the workplace and elsewhere in society—ideologies hardened. Young disputes the feminist belief that the personal is political; what’s personal is personal, she claims, and the battle for equal rights is not an excuse for portraying men as “fundamentally malevolent.” Although feminists themselves are divided regarding various issues—pornography, most visibly—they share, according to the author, “a propensity for sweeping statements based on modest evidence.” Young offers evidence that other basic feminist credos are mistaken: e.g., that male violence is directed primarily against women or that male privilege comes without any price (men die younger, she points out). Young, a journalist who describes herself as a “dissident feminist,” contends that rape is not a bias crime. She also examines the men’s movement, where men often take on the role of victim, and what she views as the confused response from political conservatives regarding gender roles. The 12 steps to an egalitarian society include such seemingly innocuous (but, on examination, distinctly provocative) propositions as “Take gender politics out of the war on domestic violence” and “In politics, stop treating women as an interest group and acting as if women’s claims were more legitimate than men’s.” A bucket of cool water on whiners of both sexes, along with a convincing appeal to look “fairly and compassionately at both sides of these conflicts.”

Pub Date: Feb. 1, 1999

ISBN: 0-684-83442-1

Page Count: 368

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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