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A GINGERBREAD HOUSE

A disturbing story of madness and fortitude that grabs your attention from Page 1.

McPherson shows four women’s lives colliding in a life-or-death struggle in Scotland.

Tash Dodd works at her parents’ trucking firm, where she stumbles upon something that horrifies her. Apparently her father’s business includes human trafficking. She plans to force him to turn over the business to her and then turn him in. Meanwhile, at a meeting of the Nine Lives League, Ivy, a middle-aged woman seeking a cat for companionship, meets Kate, who says that Ivy looks exactly like her sister, Gail, and, suggesting that they might be twins, invites her to their unusual home in Hephaw, West Lothian. Martine is a woman of mixed race who’s searched her whole life for the identity of her father. At a genealogical meeting, she meets Kate, who claims to know who her father is and invites her to her house to meet her sister, Gail. Laura, an attractive woman in search of a fairy-tale life, tries an unusual dating service and is invited to a dinner dance at the home of Kate and her sister. Ivy, Martine, and Laura are all taken captive, drugged, and kept in a dank, putrid basement. Although they’ve all been reported missing, the police don’t look very hard until Tash, who’s been working for various van companies, goes on the run after her father refuses to give up control and ends up in an apartment overlooking an odd house in Hephaw. Trapped while investigating, she and the three brave captives plot to escape.

A disturbing story of madness and fortitude that grabs your attention from Page 1.

Pub Date: Aug. 3, 2021

ISBN: 978-0-7278-5001-0

Page Count: 288

Publisher: Severn House

Review Posted Online: May 18, 2021

Kirkus Reviews Issue: June 1, 2021

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HOLLY

Loyal King stans may disagree, but this is a snooze.

A much-beloved author gives a favorite recurring character her own novel.

Holly Gibney made her first appearance in print with a small role in Mr. Mercedes (2014). She played a larger role in The Outsider (2018). And she was the central character in If It Bleeds, a novella in the 2020 collection of the same name. King has said that the character “stole his heart.” Readers adore her, too. One way to look at this book is as several hundred pages of fan service. King offers a lot of callbacks to these earlier works that are undoubtedly a treat for his most loyal devotees. That these easter eggs are meaningless and even befuddling to new readers might make sense in terms of costs and benefits. King isn’t exactly an author desperate to grow his audience; pleasing the people who keep him at the top of the bestseller lists is probably a smart strategy, and this writer achieved the kind of status that whatever he writes is going to be published. Having said all that, it’s possible that even his hardcore fans might find this story a bit slow. There are also issues in terms of style. Much of the language King uses and the cultural references he drops feel a bit creaky. The word slacks occurs with distracting frequency. King uses the phrase keeping it on the down-low in a way that suggests he probably doesn’t understand how this phrase is currently used—and has been used for quite a while. But the biggest problem is that this narrative is framed as a mystery without delivering the pleasures of a mystery. The reader knows who the bad guys are from the start. This can be an effective storytelling device, but in this case, waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable.

Loyal King stans may disagree, but this is a snooze.

Pub Date: Sept. 5, 2023

ISBN: 9781668016138

Page Count: 464

Publisher: Scribner

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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