McPherson’s second stand-alone (As She Left It, 2013, etc.) is a tour de force, a creepy psychological thriller that will...
A chance meeting in the Marks and Spencer food hall puts a deeply troubled young woman in a dangerous position.
While she works part-time in a charity shop, Jessie Constable must deal every day with her disabling phobia—a fear of feathers. Shopping in the food court, she spots a big red-haired man she’d seen before. In fact, she’d once even offered to buy a cake for Ruby, his little girl. Sitting with his head in his hands while Ruby looks on, sculptor Gus King suddenly tells Jessie that his wife, Becky, has left him. Since he’s obviously in shock, Jessie drives him home, making the long trip from Dumfries out to a country cottage on the water. Soon afterward, the police arrive to tell Gus that Becky has died in what looks like a suicidal car crash. Somehow Jessie gets roped into staying to help care for Ruby and her baby brother, Dillon. As she does her best to learn the household’s routine, she notices that not everything she learns about the family makes sense. Even though Becky’s best friend Ros had apparently left for Poland, a young Pole Jessie meets hanging around the caravan site next door tries to tell her in his very limited English that Ros would never have done that. Jessie and Gus quickly become lovers, and he gradually draws the story of her feather phobia out of her. Each telling, she acknowledges, is different, and years of therapy have allowed her to lead only a semi-normal life. For his part, Gus maintains that Becky would never have killed herself. All the pieces of the puzzle add up to more confusion for Jessie, who no longer knows whom to believe.
McPherson’s second stand-alone (As She Left It, 2013, etc.) is a tour de force, a creepy psychological thriller that will leave you breathless.Pub Date: May 8, 2014
ISBN: 978-0-7387-4045-4
Page Count: 312
Publisher: Midnight Ink/Llewellyn
Review Posted Online: Feb. 19, 2014
Kirkus Reviews Issue: March 1, 2014
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...
A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.
Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk.
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.Pub Date: Oct. 14, 2014
ISBN: 978-1-61614-998-7
Page Count: 300
Publisher: Seventh Street Books
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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