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THERE’S NO PLACE LIKE HERE

For all her wit and cleverness, Ahern’s romanticizing of missing children, not to mention the disappeared, borders on...

Ahern (If You Could See Me Now, 2006, etc.) approaches the less-than-playful subject of missing persons with her typical whimsy.

Sandy Shortt of County Leitrim, Ireland, has been obsessed with lost objects ever since her playmate and rival Jenny-May Butler disappeared when they were ten. Concerned about her obsessive-compulsive tendencies, Sandy’s parents sent her at 14 to a therapist, Gregory Burton, whom she saw until she graduated high school at 18, when he gave her a lingering farewell kiss. Now Sandy, who is 34 and whose 6’1” frame cutely belies her name, runs an agency to find missing people. She also has carried on a romantic relationship with Gregory since she was 21, but she has been unwilling to commit—the apparently unintentional creep factor of this relationship is emblematic of the novel. One early morning, while out jogging, Sandy takes a strange path and ends up in the world of lost things and people. It turns out to be a pretty nice world, actually, with good food. Sandy soon meets most of the persons she’s been looking for over the years, including Jenny-May. While they have made complete lives for themselves, the lost are happy to have Sandy fill them in on the families left behind. Meanwhile, back in Ireland, the last person Sandy noticed before disappearing was a familiar-looking man at a gas station. Coincidentally he is Jack Ruttle, the man she was scheduled to meet to discuss his missing brother. When she doesn’t appear for their meeting, Jack, desperate to find his brother, goes looking for Sandy and stumbles upon the truth about his sibling. Sandy returns, cured of her obsession and ready to embrace the present.

For all her wit and cleverness, Ahern’s romanticizing of missing children, not to mention the disappeared, borders on offensive.

Pub Date: Jan. 1, 2008

ISBN: 978-1-4013-0188-0

Page Count: 352

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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