This snapshot of life in a place where winter can be unspeakably cruel, where simply staying alive is a victory, proves...
Ekbäck takes readers on a journey to Swedish Lapland in 1717, a harsh and unforgiving place where the supernatural bleeds over into the difficult lives of the few settlers trying to make it through a hardscrabble winter.
It's June, and 14-year-old Fredericka and Dorotea, her 6-year-old sister, are herding goats in the glade near their cabin when they stumble across the horribly mutilated body of a man. Ever since the family moved to Blackäsen Mountain from their seacoast home, they've spent most of their time preparing for the difficult winter headed their way. Their parents, Paavo and Maija, recently migrated from Finland after trading their boat for a patch of ground and a cabin. Paavo couldn’t wait to leave fishing once he discovered his hereditary aversion to water. Now they're wondering what type of place they’ve settled in, with murdered men and secrets swirling around them. The dead man, identified as Eriksson, had been missing for three days, but no one seems particularly disturbed at his slaying, and word is out that bad things happen on the mountain. Maija decides to keep investigating Eriksson’s death, even though it’s not a popular move with the mountain's other inhabitants, and soon begins uncovering evidence of supernatural happenings on Blackäsen, along with a litany of unexplained deaths and events. And despite the unpopularity of Maija’s moves, she refuses to let it go, even when events begin to spin out of her control and her family is threatened. Ekbäck's straightforward prose lacks nuance, but her first novel takes readers into places that few will ever have gone.
This snapshot of life in a place where winter can be unspeakably cruel, where simply staying alive is a victory, proves irresistible.Pub Date: Jan. 27, 2015
ISBN: 978-1-60286-252-4
Page Count: 376
Publisher: Weinstein Books
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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