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YOU KNOW YOU LOVE ME

Continuing her soap opera saga where Gossip Girl (p. 580) left off, von Ziegesar again has her mostly rich, private-school crew of privileged Manhattan teenagers partying at elegant eateries, drinking booze, and shopping at high-end stores, but also thinking about college. Because of their wealth and social status, “not applying to the Ivy Leagues is not an option” and not getting accepted “would be a total embarrassment,” so “the pressure is on.” As the hunky, rich, pot-addled Nate says, “All of a sudden we have to plan what we’re doing for the rest of our lives and try to impress people with how smart and involved we are. I mean, do our parents take eight classes . . . , play on sports teams, edit the paper, and tutor underprivileged children . . . every single day?” Despite their jealousy inducing advantages, the characters are surprisingly sympathetic and von Ziegesar has the gift of summing up an experience with incisive wit. For example, at “a hippie arts camp,” Jenny “had to write haikus about the environment, sing peace songs in Spanish and Chinese, and weave blankets for the homeless.” Almost Chekhovian in situation, the bulk of the kids are in love with someone who is either indifferent to their charms or in love with someone else. Getting it all sorted out is the fun of it, and like its predecessor, it’s a highly enjoyable speedboat of a read, zipping along at lightning speed, leaving adolescent angst, wounded egos, and Manolo Blahnik mules in its wake. (Fiction. YA)

Pub Date: Sept. 1, 2002

ISBN: 0-316-91148-8

Page Count: 240

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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