THE DISENCHANTMENT

A secret romance between two noblewomen in 1680s Paris is threatened by the Affair of the Poisons in this bewitching work of historical fiction.

Marie Catherine la Jumelle, Baronne de Cardonnoy, lives a life of prosperous repression. Married to a mercurial and ambitious husband she cannot love, she finds solace in her two children, the opportunities to spin fairy tales at women’s salons, and the affections of Victoire de Conti, an impetuous, androgynous Princess of the Blood. Their love affair thrives despite the ever looming threat of discovery, until a misunderstanding with a portrait painter, paranoia sweeping the city in the wake of several high-profile poisonings, and an unexpected act of violence combine to endanger the secret life the two have built. Murder plots, assignations, investigations, and court machinations all follow and drive the novel to its nerve-wracking and moving conclusion. Bell elegantly balances the passion of a romance with the tension of crime fiction, all while conjuring a Paris rich in sensuous detail. From the first page, she situates the reader in a very specific moment in time without overloading the prose with self-congratulatory evidence of her own research. Marie Catherine and Victoire’s alienation from heterosexual society and longing to find others like themselves cannot help but resonate with contemporary queer readers, but Bell deftly avoids ascribing modern identities to them and allows them to be women of their own time. With similar precision, Bell uses her extensive cast of characters, whose various points of view the reader glimpses through shifting third-person limited narration, to explore class tensions. Poor women and rich women may come up against different limitations and employ contrasting methods of self-reinvention, but all of them are hungry for freedom—watching them strive for it is utterly captivating.

An astonishingly accomplished debut that brings a past full of intrigue and ardor to life on the page.