Saintclare modernizes outdated sex-work narratives, honoring the bonds formed between women instead.
British author Saintclare’s addictive debut novel follows Agnes, a 21-year-old mixed-race woman who moves from housecleaning to sex work.
Working alongside her deeply religious, Caribbean-born mother, Constance, Agnes polishes the homes of wealthy suburbanites during the week and spends her weekends at dive bars, obsessing over men who show little interest. When she meets Emily, the daughter of one of her clients, she’s introduced to an entirely different way of living. Emily dresses Agnes in designer clothes, paints her lips a femme-fatale red, and whisks her away to the London flat she shares with a group of hedonistic models. Emily undertakes the project of imparting all she’s learned about “sugaring” to Agnes, so she can transform herself into a sugar baby and support herself without relying on Constance. Agnes accompanies Emily and her friends on their dates, where rich, older (often married) men pay them to go to lunch, drink champagne in clubs, and engage in various types of sex work. Agnes soon learns how to identify suitable prospective clients (shoes, watch, jacket) and starts to build up her own roster—and a collection of designer handbags. But the drinking, drugs, and sex work begin to spiral out of control when Agnes struggles to separate her emotions from each transaction. The night she meets Russian billionaire Sergei, she’s confronted with a new dynamic entirely—she’s asked to engage in sex with both Sergei and his wife. She’s flown to Miami and attends a drug-fueled party, making the power imbalance—and danger—of her situation starkly clear. This is a propulsive read that tackles myriad attitudes toward sex work, from condemnation to celebration, through a distinctly feminist lens. Accompanying the partying with perceptive social commentary, Saintclare refuses to romanticize the gritty details of sugaring—inviting the reader into a whirlwind of champagne, sex, and money that is at times claustrophobic, scary, and toxic.
Saintclare modernizes outdated sex-work narratives, honoring the bonds formed between women instead.Pub Date: Jan. 9, 2024
ISBN: 9781639732463
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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