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ARTFORUM

A marvelous little collection about compulsion, obsession, and the extraordinary joy that a simple pleasure can bring.

A collection of stories about one writer’s obsession with, of all things, a magazine, attainable but difficult to find in a way he often finds maddening.

Argentinian writer Aira (Birthday, 2019, etc.) has produced more than 100 books, a good number of which have been translated into English. His works tend to be slim and offbeat—a zombie novel here (Dinner, 2015), a kidnapping there (Ema the Captive, 2016)—but they’re always eminently readable. Even this one, which is, yes, pretty much about hunting down a magazine and then, after having taken out a subscription, waiting for it to come in the mail. Is this fiction, as it's labeled, or nonfiction? Aira's work is so personal and frequently peculiar that it doesn't make much of a difference. He's spent a couple of decades thinking about Artforum, judging by the dates at the end of each story—not so much about the magazine’s content as his difficult quest to obtain it. Naturally, he turns each interaction into a beautifully crafted experience, even in the most banal circumstances. Take the opener, “The Sacrifice,” written in 1983, in which an issue of Artforum saves the narrator's other diligently acquired magazines from a particularly vicious rainstorm. Later there are contemplations of the magazine’s price, translated here by Silver as $10, and the personal glory of finally getting a subscription. In 2002, a short-tempered writer goes searching for a trove of Artforums spotted, by happenstance, by a friend. "Conjectures” and “Melancholy" describe the narrator’s state of mind while he waits impatiently for the next issue to arrive in the mail. The writer’s obsession with the magazine is also explained in the context of his life, in which he's always had “the problem of empty time, of ominous afternoons like the open mouth of an abyss.” This book is a slim affair, but for those who want to understand the mindset of an authentic collector, it comes straight from the heart.

A marvelous little collection about compulsion, obsession, and the extraordinary joy that a simple pleasure can bring.

Pub Date: March 31, 2020

ISBN: 978-0-8112-2926-5

Page Count: 80

Publisher: New Directions

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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