by CG Fewston ‧ RELEASE DATE: Jan. 4, 2022
A promising espionage novel that suffers from its own self-seriousness.
A spy with a difficult past finds love in Fewston’s second espionage novel in a series.
According to a 30-something American by the name of John Lockwood, everyone living in East Berlin in 1975 could be summed up in just a sentence or two—“and they were, by the Stasi.” John’s come to the Communist region to do some spying of his own, although he keeps his objectives close to the vest, even from the reader. Using the name Jacob Miller, he’s on the trail of the shadowy Heads of Leonidas, a covert organization he’s been tracking since he was in Tehran. Now he’s in a divided city at the center of the Cold War, and his task is a lonely one: He watches people from a distance, but his personal interactions are mostly limited to other spies with suspect motivations. Then he meets two people who seem especially interested in him. The first is his 20-year-old neighbor, Nina Rosenberg, who manages to talk her way into his apartment shortly after a dead body is found in the neighborhood. The other is a philosophical old man named Zehrfeld who reveals himself to know far more about John’s past than any stranger should. Nina is boldly critical of East Germany—she blames the government for both her parents’ deaths—and she shares John’s tastes in literature. She also promises to inject some passion into his life, but she’s much younger than he is, and he’s reluctant to drag her into his dangerous world; meanwhile, Zehrfeld is angling to make a deal with John—and when it comes to both love and spycraft, John has trouble saying no.
Despite its status as a sequel (with a third novel planned), this tale of John’s East Berlin mission works rather well as a stand-alone tale. Memories of John’s previous adventures occasionally intrude on the present-day action, but far less so than one might expect. Overall, this is a mood piece with limited fixations, and as such, it delivers more than the usual cloak-and-dagger intrigue of thrillers set during the Cold War. However, the novel is poorly served by Fewston’s prose, which often comes across as excessively melodramatic, as in this passage, in which John describes his first night with Nina: “Like the gods who forgot they had lived, Nina and I talked late into the night. When it started raining around two in the morning, I should’ve known then the rain was a portent of things to come.” And although Fewston resists spy-novel clichés in other areas, several characters frustratingly talk as if they’re auditioning for a James Bond film, as when one says, “I’ve always admired Faust. At least he had ambition, a vision, a goal.” (There are several more references to Goethe’s classic story over the course of the novel.) The plot ultimately descends into similar theatricality, and the ending is unsatisfying—and despite the frequent literary allusions and philosophical tête-à-têtes, the novel leaves readers with disappointingly little to think about.
A promising espionage novel that suffers from its own self-seriousness.Pub Date: Jan. 4, 2022
ISBN: 979-8-4924-3658-2
Page Count: 214
Publisher: Self
Review Posted Online: Nov. 9, 2021
Review Program: Kirkus Indie
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by CG Fewston
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Ayana Gray ‧ RELEASE DATE: Nov. 18, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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