edited by Chad Harbach ‧ RELEASE DATE: Feb. 25, 2014
Essential insights, masterfully assembled, on the precarious state of American publishing.
A cast of literary professionals offers an entertaining bounty of experience, opinions and advice.
Novelist Harbach’s (The Art of Fielding, 2011) 2010 opinion piece in n+1, the magazine he founded, made a splash with its critical analysis of ever-expanding MFA programs, the enduring hub of New York City publishing and the potential each of them holds for aspiring writers. The editor’s shrewd if pessimistic essay launched what he calls “a kind of jointly written novel—one whose composite hero is the fiction writer circa 2014”—in which perceptions from a wide spectrum of struggling authors, skilled teachers, students, agents, editors and publicists comingle with essays from best-selling literary luminaries. George Saunders offers a 15-point “mini-manifesto” on the challenge of creative writing programs, while Providence College English professor Eric Bennett discusses the nuances of his time spent at the Iowa Writers’ Workshop. Alexander Chee’s lively autobiographical entry on his life and experiences at the Workshop segues marvelously into a discussion of how New York City absorbs and transforms published authors like Sloane Crosley, who identifies the business of publishing as being “so blessed and so cursed at the same time.” Sterling Lord Literistic agent Jim Rutman contributes tales of the slush pile, while Trident Media Group agent Melissa Flashman offers her perspective on the delicate balancing act performed by agents and publishers on behalf of productive authors. From these dispatches, the outlook for beginning writers is less than sunny, but poet Darryl Lorenzo Wellington’s eye-opening confessional on judging manuscripts for Amazon’s Breakthrough Novel Award does hint at a “publishing revolution.” Collectively thought-provoking and provocative, this first publication in a new partnership between Faber & Faber and n+1 inches readers further toward understanding the often complex, political machine that transforms an idea into a published product. Other contributors include Elif Batuman, Caleb Crain, Keith Gessen and Lorin Stein.
Essential insights, masterfully assembled, on the precarious state of American publishing.Pub Date: Feb. 25, 2014
ISBN: 978-0-86547-813-8
Page Count: 320
Publisher: Faber & Faber/n +1 Foundation/Farrar, Straus and Giroux
Review Posted Online: Jan. 15, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Chad Harbach
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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