An often intriguing speculative tale about frightening technology and those who control it.
Lester’s science fiction novel centers on the machinations of a powerful tech company.
In the near future, Belle is an aimless, unemployed 30-year-old woman living in an Alaskan village. When she receives a job offer from “the world’s premier tech company,” Eccleston Evolution, she’s quite surprised. Its founder, Sophia Eccleston, is a notoriously abrasive person in her 70s who, thanks to advances in technology, doesn’t look a day over 20. She wants Belle to work as a nanny for her sightless, 8-year-old daughter, Juno. Belle will live at the company’s secluded headquarters in Alaska. The site contains animals that were once extinct but were brought back to life with technology that uses DNA extracted from fossils (although none of them are dinosaurs, à la Michael Crichton’s 1990 thriller Jurassic Park). Meanwhile, an aggressive businessman, Lucas Ivanov, is planning a hostile takeover of Eccleston Evolution. In yet another plotline, a man named Seth Johnson, whose wife was cryogenically frozen by Eccleston prior to her death, is facing financial hardship as he struggles to pay Eccleston to keep his spouse alive. He starts to lose his grip, and he’s committed to a mental hospital before later embarking on a rescue mission. The early pages of Lester’s novel very effectively draw readers in; different aspects of the near-future world are revealed, and questions arise about Eccleston Evolution, which also has a hand in humanoid robotics technology. The plot thickens when it turns out that Juno may be much more than she seems. The book also has quite bit of business talk, however; the discussions surrounding the possible takeover of Eccleston aren’t particularly compelling, since readers have little reason to care about either Eccleston or Ivanov as characters. (Ivanov is notably described as someone who “buys what he can’t create.”) Still, the novel does have some surprises, particularly in the later pages, which feature disturbing discoveries.
An often intriguing speculative tale about frightening technology and those who control it.Pub Date: June 30, 2024
ISBN: 9798989612109
Page Count: 372
Publisher: Self
Review Posted Online: Feb. 16, 2024
Kirkus Reviews Issue: May 1, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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