by Chae Strathie ; illustrated by Nicola O'Byrne ‧ RELEASE DATE: July 1, 2017
A lighthearted if unremarkable (and perhaps a bit outdated?) addition to the epistolary genre.
A T. Rex and a 6-year-old fan with questions strike up a lively correspondence.
At the suggestion of a curator, young Max writes a fan letter to his favorite dino at the museum and gets a fierce reply: “I do NOT write nice letters to small children. I eat them.” Not daunted, Max continues to send chatty queries—some of which, along with T. Rex’s first letter, are glued-in sheets or cards. T. Rex loosens up in later exchanges, receives Max’s gifts of a lost tooth and a “Sausagesaurus” (a rubber duck, as it turns out) with thanks, and, in a final email message, promises not to eat him when he visits again. Sticking to more traditional media, Max at the end crafts a home-made greeting card to proclaim that the two will be “Dinopals forever!” Though T. Rex’s stationery comes from a fictitious museum in South Carolina, the post boxes in the illustrations and the overall tone of the language reflect this import’s British origins. Like Max and his interracial parents (dark-skinned dad, light-skinned mum), the dinosaurs exhibited in the museum are mostly smiling figures in O’Byrne’s brightly colored cartoons.
A lighthearted if unremarkable (and perhaps a bit outdated?) addition to the epistolary genre. (Novelty. 6-8)Pub Date: July 1, 2017
ISBN: 978-0-7641-6898-7
Page Count: 28
Publisher: Barron's
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Chae Strathie ; illustrated by Nicola O'Byrne
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by Chae Strathie ; illustrated by Nicola O'Byrne
by Britta Drehsen & illustrated by Sara Ball & translated by Laura Lindgren ‧ RELEASE DATE: May 1, 2011
Sturdy split pages allow readers to create their own inventive combinations from among a handful of prehistoric critters. Hard on the heels of Flip-O-Saurus (2010) drops this companion gallery, printed on durable boards and offering opportunities to mix and match body thirds of eight prehistoric mammals, plus a fish and a bird, to create such portmanteau creatures as a “Gas-Lo-Therium,” or a “Mega-Tor-Don.” The “Mam-Nyc-Nia” places the head of a mammoth next to the wings and torso of an Icaronycteris (prehistoric bat) and the hind legs of a Macrauchenia (a llamalike creature with a short trunk), to amusing effect. Drehsen adds first-person captions on the versos, which will also mix and match to produce chuckles: “Do you like my nose? It’s actually a short trunk…” “I may remind you of an ostrich, because my wings aren’t built for flying…” “My tail looks like a dolphin’s.” With but ten layers to flip, young paleontologists will run through most of the permutations in just a few minutes, but Ball’s precisely detailed ink-and-watercolor portraits of each animal formally posed against plain cream colored backdrops may provide a slightly more enduring draw. A silhouette key on the front pastedown includes a pronunciation guide and indicates scale. Overall, a pleasing complement to more substantive treatments. (Novelty nonfiction. 6-8)
Pub Date: May 1, 2011
ISBN: 978-0-7892-1099-9
Page Count: 22
Publisher: Abbeville Kids
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Joyce Milton ; illustrated by Franco Tempesta ‧ RELEASE DATE: July 22, 2014
Eye candy and intellectual nourishment alike for newly independent readers.
A classic informational early reader gets a substantial, long-overdue update.
Kirkus criticized the 1985 edition for conveying outdated and misleading information—chivalrously leaving the stodgy colored-pencil illustrations unmentioned. All of that has been addressed here. Revised by the late Milton’s brother Kent, the text highlights or at least names over a dozen dinos, from the diminutive Citipati to the humongous Argentinosaurus, “as big as a house, longer than three buses, and as heavy as thirteen elephants!” Prehistoric contemporaries that were not dinosaurs also get nods, as do modern paleontology, the great extinction and the continued survival of birds: “So the dinosaur days go on.” Tempesta’s cover painting of a brightly patterned Triceratops being attacked by a T. Rex with a feathery spinal fringe opens a suite of equally dramatic group and single portraits. They feature mottled monsters viewed from low angles to accentuate their massiveness and reflect current thinking about feathers and coloration.
Eye candy and intellectual nourishment alike for newly independent readers. (Informational early reader. 6-8)Pub Date: July 22, 2014
ISBN: 978-0-385-37923-6
Page Count: 48
Publisher: Random House
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
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by Joyce Milton & illustrated by Larry Schwinger
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