A poignant and sophisticated work couched in lyrical, effervescent prose.
Reeling from personal tragedy, a young couple struggles to navigate political violence in their unnamed homeland and rebuild their marriage.
“It mattered to him that he woke up alone,” Sen's debut novel begins. John is upset and angry to find his wife, Mariam, once again asleep on the floor of the empty nursery that was supposed to house their stillborn baby daughter. Mariam’s ongoing pain is, to John, a personal affront that is splitting their marriage apart. But when the militia storms their workplace and Mariam is kidnapped, John’s only concern is for her safety. This present-day drama then flashes back to the story of young John and Mariam at university—their chance meeting on a bridge, growing connection, and John’s regretted detour into a relationship with Mariam’s friend Nina. Mariam and John soon marry and move back to his hometown. Life for the newlyweds moves along smoothly as John finishes his dissertation and advances in his career—complicated only by the denial of Mariam’s passport in the middle of the growing violence of the military state. Desperate to travel overseas, John decides to purchase forged papers for the family. But the loss of their newborn baby devastates Mariam; John, feeling abandoned, begins to think he and Mariam should separate. Here, the novel's past catches up to the present and jumps back into the story of Mariam's disappearance. This debut novel is a searingly vivid portrayal of the depths of human emotions—from the first glow of young love to the deeper strength of middle-aged commitment. Although the flashback structure—in which the bulk of the novel occurs in the past—leaves the reader hungry for the present-tense storyline of Mariam’s kidnapping, this device does create a suspenseful mystery which haunts the narrative.
A poignant and sophisticated work couched in lyrical, effervescent prose.Pub Date: Oct. 27, 2015
ISBN: 978-1-60945-291-9
Page Count: 320
Publisher: Europa Editions
Review Posted Online: July 28, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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