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YOU OR SOMEONE LIKE YOU

A savvy novel that deals with Hollywood from a cultural rather than a tabloid perspective.

In this fiction debut, journalist Burr (The Perfect Scent, 2008, etc.) offers the tale of a movie executive’s wife leading a book-discussion group.

Anne Hammersmith met Howard Rosenbaum at Columbia University, where they both received their doctorates in English literature. Soon after graduation he got an opportunity to produce movies in Hollywood, and after negotiating some difficult fertility issues, they had a son, Sam. Eventually Anne is able to indulge her love for literature in an unusual way, by starting a book club for people in the movie industry. This would seem to be an uphill battle, for even though the air is full of talk about scripts, as one of Howard’s acquaintances informs Anne, “Nobody reads in Hollywood.” Anne is one of those people able to discern literature’s connections to her own life, so the books she chooses for the discussion group serve as a commentary on her family relationships and social position. Tolstoy on dinner parties (in Anna Karenina), Auden on “namelessness” and identity in the modern age, George Eliot on anti-Semitism and what to do with one’s life (in Romola) all elucidate Anne’s increasingly frayed social and domestic bonds. Sam, a preternaturally precocious boy who grew up doting on the clever wordplay and allusions of his literary parents, as a teenager reveals that he’s gay, but also becomes increasingly interested in the religious heritage of his father. Howard, previously a thoroughly secular Jew, begins to move toward orthodoxy, which both hurts and frustrates Anne. The religious divisions Howard erects are barriers to their marriage, she contends: “If you are now a Jew and I am now a Gentile, you have now placed me in a fundamentally different category of human beings from yours. We are divided.”

A savvy novel that deals with Hollywood from a cultural rather than a tabloid perspective.

Pub Date: June 9, 2009

ISBN: 978-0-06-171565-5

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2009

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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