A charming and often touching novel of self-discovery.
A skittish Midwestern gay man comes out with the help of a Washington, D.C.–based drag performer in Myer’s comic debut novel.
Randy Larson was born in 1986 and spent the first 32 years of his life in North Dakota, attempting to conceal the fact that he was gay from his small-town Lutheran neighbors. After his elderly parents die, one after the other, he decides to honor his mother’s last wish for Randy to move to a place where he can be himself and live a little. After weighing the pros and cons of various cities, he chooses the nation’s capital, as it’s big, but not too big, and, most importantly, not too cold. The move goes easier than expected: He quickly finds a job at the U.S. Department of the Treasury and a serviceable, if overpriced, one-bedroom apartment. Gaining entrance into the city’s gay community isn’t so simple, however, and Randy isn’t sure how to begin. Luckily, he stumbles into a gay bar one night while looking for a steakhouse, and there he meets a towering drag performer and Jayne Mansfield impersonator whom Randy comes to think of as his “fairy godmother.” Jayne is his opposite in nearly every way, and her regimen for Randy’s rebirth may be too much, and too fast, for him. Can Jayne successfully take the North Dakota out of the boy, or is the boy about to run screaming back to his hometown? Myer’s engaging prose effectively captures Randy’s playful insecurity, as when he panics during the opening moments of his first-ever date with a man: “While my brain proceeds with its usual work to undermine confidence, my feet have continued forward. At 7:31, I’m standing at the entrance to Lauriol Plaza. Derek, waiting at the host desk, breaks into a warm smile. At least he recognizes me, so that’s a plus.” Not all the jokes land, but overall, the book is a fun and generally entertaining read about overcoming insecurities and learning to be oneself. It’s also an affecting ode to unexpected friendships and finding communities that one never realized one needed.
A charming and often touching novel of self-discovery.Pub Date: Jan. 21, 2023
ISBN: 978-1639887675
Page Count: 332
Publisher: Atmosphere Press
Review Posted Online: March 6, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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