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THE GONE DEAD

The thirst for justice is difficult to make palpable, but Benz makes a valiant effort.

“Who could breathe under the weight of a genius father who was supremely brilliant and made a mysterious tragic exit?” Billie James hopes she can in this debut novel.

Billie comes from literary royalty, but you wouldn’t know it from the humble shack in the Mississippi Delta that she's just inherited from her grandmother. She spent time there during her early years, and it's where her father, Clifton, a gifted though underappreciated African-American poet, died under mysterious circumstances when his daughter was 4. Now in her 30s, and feeling the weight of not quite living up to her father’s standard, Billie returns to the Greendale, Mississippi, of her childhood and begins to seek answers to the questions surrounding her father’s death. As she turns stones long undisturbed, she makes a curious discovery: She was present when her father died, and yet she has no memory of the event. The ingrained tribalism of Clifton James’ relatives, friends, and lovers makes them reluctant—or only halfheartedly willing—to reveal the long-buried truth and see justice served. Their inability to provide straightforward answers propels Billie on a dangerous path. When she discovers an unpublished chapter among her father’s things, her determination shifts into high gear, putting her life in danger. The legacies of slavery, racism, segregation, and classism imbue the novel, along with the relentless insularity of small-town life. And yet the reader's foothold into this world is tenuous, much like Billie's as she is welcomed and repelled at the same time. Where the novel shines is in dialogue. The music of the spoken word shows that Benz (The Man Who Shot out My Dead Eye, 2017) has a strong ear and appreciation for Southern culture that rings true. Unfortunately, though, the reader is only occasionally steeped in the world of the novel.

The thirst for justice is difficult to make palpable, but Benz makes a valiant effort.

Pub Date: June 25, 2019

ISBN: 978-0-06-249069-8

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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