by Channing Tatum ; illustrated by Kim Barnes ‧ RELEASE DATE: May 31, 2022
A second scintillating celebration of personal style and dad-daughter DIY.
Reality puts only a temporary damper on big, glittery plans for a sleepover castle.
New school friend Tam, who shared bánh mi at lunch in The One and Only Sparkella (2021), is arriving in two hours, and before that Sparkella needs to make a castle “fit for two royal highnesses.” Unfortunately, even with Dad’s help, the flimsy cardboard construction collapses as soon as Sparkella climbs inside to test it. What to do? After giving the pouting princess some personal time in the garage, Dad points the way: “I think you have to take what you have and make it SPARKLE like only you can.” And, indeed, by the time brown-skinned “Tam, Queen of Kittens” is dropped off by her grandma, a pair of folding tables have been transformed with paint, wrapping paper, and colorful fabrics into the sparkliest castle ever! Laying on saturated colors and sprays of tiny stars with a lavish hand, Barnes depicts the two young “royals” in flamboyantly decorated settings—even Dad’s motorcycle is a dazzling confection awash in bows, and Dad himself, light-skinned like Sparkella, isn’t the least decorative element considering his fondness for sporting a purple boa and outrageous eyewear when occasion demands. (This book was reviewed digitally.)
A second scintillating celebration of personal style and dad-daughter DIY. (Picture book. 6-8)Pub Date: May 31, 2022
ISBN: 978-1-250-75076-1
Page Count: 48
Publisher: Feiwel & Friends
Review Posted Online: May 31, 2022
Kirkus Reviews Issue: July 1, 2022
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by Channing Tatum ; illustrated by Kim Barnes
by Channing Tatum ; illustrated by Kim Barnes
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Mo Willems ; illustrated by Mo Willems
by Mo Willems ; illustrated by Mo Willems
by Mo Willems ; illustrated by Mo Willems
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by Mo Willems ; illustrated by Mo Willems
by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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