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GIGI, LISTENING

An uncomfortable start is saved by the secondary characters and setting.

A romance reader's once-in-a-lifetime trip to meet her favorite audiobook narrator goes awry when he never shows up, leaving her stuck with a snarky tour guide instead.

Georgia “Gigi” Rutherford owns a romance bookshop and is dogged in her pursuit of love. Sadly, she thinks she's reached the limit of her tolerance for dating apps, instead fantasizing about audiobook narrator Zane Wilkenson. She takes it as a sign that he narrates the book that, years ago, caused her own parents to fall in love. Through internet sleuthing, Gigi discovers that Zane works for his parents' tour-guide business in London. For her 30th birthday, her dearest friends buy her a ticket to England for a 10-day bus tour hosted by none other than Zane. Gigi embarks on a whirlwind vacation, nearly missing the tour bus, but her bubble is burst when Zane is a no-show. In a pinch, Angus, one of the company's oldest employees, and Taj, a surly and snappy man with a love of mystery novels, step in to kick off the trip, with a promise that Zane will catch up with them later. It's hard to enjoy Gigi as a main character considering her parasocial relationship with Zane. Her desire for a man she's never met, has only listened to via audiobooks, and has only seen through social media photos comes across as concerning. Thankfully, she snaps out of it, though some readers may not have the patience to wait that long. Once Gigi's attention turns to Taj, though, there's a delightfully meta quality to their relationship, as Gigi is a dedicated romance reader who references familiar tropes and author names while Taj has his own bookish indulgences. The detailed descriptions of the English countryside, combined with a motley crew of Gigi's fellow tour-goers, add coziness and charm.

An uncomfortable start is saved by the secondary characters and setting.

Pub Date: March 28, 2023

ISBN: 9781496735379

Page Count: 368

Publisher: Kensington

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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