A refreshing and cinematic, weird Western starring a sharp-as-nails, can-do heroine. Harris’ many fans will surely follow...
In the opening novel of Harris' new series, set in a dangerous and largely lawless alternate United States, a young gunslinger for hire hits the trail to track down a descendant of Rasputin.
Life isn’t easy and death is around every corner in Harris’ thrilling new adventure, in which the U.S. is a shadow of its former self. Franklin Roosevelt was assassinated before he could be sworn in, and the country was subsequently fractured: Mexico has reclaimed Texas, Canada has usurped a large swath of the northern states, and the Holy Russian Empire has taken over California. American Indians have also largely reclaimed the land that was stolen from them by the government. Nineteen-year-old Lizbeth Rose is a skilled gunslinger for hire, but a disastrous run-in with bandits has left her the sole survivor of her crew. After making it home, she’s approached by Paulina Coopersmith and Ilya “Eli” Savarov, two grigoris (aka wizards), who want her to help them find wizard Oleg Karkarov, who they think is a descendant of Rasputin and whose blood may be able to help their beloved czar. There’s a hitch: She tells them he’s dead but doesn’t mention that she’s the one who killed him. So, instead, they all set out in hopes of finding Oleg's brother. Narrator Lizbeth is a pragmatic young woman with an unshakeable work ethic who doesn’t let her gender define her and isn’t given to emotional outbursts, but there are just enough moments to remind readers that the loss of those she loves, and her desire to keep those she has left safe, is ultimately her driving force. Harris (Sleep Like a Baby, 2017, etc.), well-known for her wildly popular Sookie Stackhouse novels and TV series, populates her gritty, immersive new world with genuinely interesting characters, and chilling moments of horror—of both the human and supernatural kind—punctuate this relentlessly paced road trip.
A refreshing and cinematic, weird Western starring a sharp-as-nails, can-do heroine. Harris’ many fans will surely follow Gunnie Rose anywhere.Pub Date: Oct. 30, 2018
ISBN: 978-1-4814-9492-2
Page Count: 320
Publisher: Saga/Simon & Schuster
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.
A young Philadelphia policewoman searches for her addicted sister on the streets.
The title of Moore’s (The Unseen World, 2016, etc.) fourth novel refers to “a long bright river of departed souls,” the souls of people dead from opioid overdoses in the Philadelphia neighborhood of Kensington. The book opens with a long paragraph that's just a list of names, most of whom don’t have a role in the plot, but the last two entries are key: “Our mother. Our father.” As the novel opens, narrator Mickey Fitzpatrick—a bright but emotionally damaged single mom—is responding with her partner to a call. A dead girl has turned up in an abandoned train yard frequented by junkies. Mickey is terrified that it will be her estranged sister, Kacey, whom she hasn’t seen in a while. The two were raised by their grandmother, a cold, bitter woman who never recovered from the overdose death of the girls' mother. Mickey herself is awkward and tense in all social situations; when she talks about her childhood she mentions watching the other kids from the window, trying to memorize their mannerisms so she could “steal them and use them [her]self.” She is close with no one except her 4-year-old son, Thomas, whom she barely sees because she works so much, leaving him with an unenthusiastic babysitter. Opioid abuse per se is not the focus of the action—the book centers on the search for Kacey. Obsessed with the possibility that her sister will end up dead before she can find her, Mickey breaches protocol and makes a series of impulsive decisions that get her in trouble. The pace is frustratingly slow for most of the book, then picks up with a flurry of revelations and developments toward the end, bringing characters onstage we don’t have enough time to get to know. The narrator of this atmospheric crime novel has every reason to be difficult and guarded, but the reader may find her no easier to bond with than the other characters do.
With its flat, staccato tone and mournful mood, it’s almost as if the book itself were suffering from depression.Pub Date: Jan. 7, 2020
ISBN: 978-0-525-54067-0
Page Count: 496
Publisher: Riverhead
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
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