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GET HONEST OR DIE LYING

WHY SMALL TALK SUCKS

Not without flaws, but a compellingly honest manifesto about authenticity.

The famous Black radio and TV personality makes the case for raising the bar on the quality of our conversations.

Charlamagne Tha God, author of Black Privilege, hates small talk. Rather than using the traditional definition of small talk as idle chatter, the author describes it as “a symbol of our lack of authentic communication. Both as individuals and collectively.” Throughout the book, he provides examples of types of small talk and the damage that it can do. In one chapter, he discusses how right-wing politicians often excel at unvarnished, blunt conversation, a trend that garners them votes while politicians like Hillary Clinton and Kamala Harris—whom the author admires—lose support due to their perceived lack of authenticity. Elsewhere, the author critiques his own history of emulating “shock jocks” and states his new commitment to elevating the level of conversation on his morning radio show, The Breakfast Club. He also spends time criticizing the social media landscape that has led to young people’s sense of “entitlement” that he feels is both detrimental to their development and uncharacteristic of previous generations. “Back in the day,” he writes, “no one felt the need to put on a front when they were just starting out.” Throughout, Charlamagne returns to the premise that honest conversations can change the world. “Now I want to encourage you to make rejecting small talk a priority in your life,” he pleads, “because small talk is killing us as a society.” The author’s voice is frank, funny, and intimate, and his capacity for vulnerability drives his storytelling. At times, his signature brashness crosses the line—as, for instance, when he unnecessarily repeats verbatim a homophobic joke his father used to tell—and his analysis can lean toward the patriarchal.

Not without flaws, but a compellingly honest manifesto about authenticity.

Pub Date: May 21, 2024

ISBN: 9781982173791

Page Count: 240

Publisher: Black Privilege Publishing/Atria

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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HOSTAGE

A dauntless, moving account of a kidnapping and the horrors that followed.

Enduring the unthinkable.

This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.

A dauntless, moving account of a kidnapping and the horrors that followed.

Pub Date: Oct. 7, 2025

ISBN: 9780063489790

Page Count: 208

Publisher: Harper Influence/HarperCollins

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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