by Charles Belfoure ‧ RELEASE DATE: Oct. 1, 2002
Belfoure’s satirical murder mystery consistently entertains, and whiny, grouchy Allan is a character readers will love to...
The perils of hubris are on display in Belfoure’s impressive debut, as a Maryland architect goes to murderous lengths to salvage the design of his art museum.
Allan Aisquith entered the architectural fray with all the right qualifications: a graduate degree from Columbia University, impressive internships and a post-graduate job with Ranah Marhedi, the hottest design superstar around. After three years of hard work, Allan starts his own firm, and his initial commission is a house for a Harvard-trained lawyer. But he takes a dive on his very first job, when his beautiful redwood-and-glass sketch is vetoed by the client. His failed debut sets a pattern, and for the next 19 years Allan deliberately compromises his drawings, a sell-out that generates loads of cash: He buys a nice car and a co-op overlooking Central Park, and travels frequently. Finally, too ashamed of his groveling to face his colleagues, he moves to Baltimore, an architectural backwater. Suddenly and without explanation, he’s offered a job designing the Addington Museum on property overlooking Chesapeake Bay. Viewing this as a last chance for redemption, Allan designs a lovely building to house the museum’s art collection. Alas, an attorney with the Addington Foundation requests major changes to the design, and reveals that Allan was hired because of his reputation for concession. The attorney is quickly dispatched via a “freak accident,” and Allan, whose design remains intact, has already begun his descent into murderous rage.
Belfoure’s satirical murder mystery consistently entertains, and whiny, grouchy Allan is a character readers will love to hate.Pub Date: Oct. 1, 2002
ISBN: 0-595-35749-0
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Allen Eskens ‧ RELEASE DATE: Oct. 14, 2014
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...
A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.
Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk.
Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.Pub Date: Oct. 14, 2014
ISBN: 978-1-61614-998-7
Page Count: 300
Publisher: Seventh Street Books
Review Posted Online: Oct. 8, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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