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BLUES FOR CANNIBALS

THE NOTES FROM UNDERGROUND

Bowden spins a fine, grim tale as he digs for a life of the senses: monstrous, beautiful, but always in plain sight.

Reels and roars from the American underbelly by Bowden (The Secret Forest, 1993, etc.), a veteran at engaging with misery.

The author is working with two fiercely different themes: the vileness that humans visit upon each other; and the nests in which they live, both their homeplaces and the greater earth beyond. Bowden also comes as two: a disembodied shadow-narrator of events and a thirsty, lusty man yearning for love, food, outside air, mesquite, a swarming of sensations. His subjects range from gated communities to child pornography, from the deaths of friends, abrupt and shattering or slow and wasting, to the deathwatch of days as they pass before the passing of a friend. Tension animates his narrative; there is a sinister ping in his voice, resonant and evocative and condemnatory, but he may also show you the escape route. As a newspaperman, Bowden walked the blood beat: eviscerations and disembowelings, rapes and beatings, child pornography ending in murder. From this he emerged drained, though not embalmed; he is a walking open wound, holding up human cannibalism for all to see. No hiding. Yet in these linked but self-contained chapters, he also reminds readers of the nation’s once powerful labor tradition, now so starved and neglected that union gatherings are dwarfed by their convention halls. The author expresses genuine ambivalence about capital punishment, though he doesn’t let himself or the reader off the hook that easily: he attends and describes an execution. Bowden can also, let it be known, write engagingly about preparing a meal and riff with delicate humor about a wallet painted with a revolutionary’s image: “Che Guevara, Capitalist Tool. Consumed, devoured, recycled, commodified—wow, have we got the words. Retro. A language of cannibalism.”

Bowden spins a fine, grim tale as he digs for a life of the senses: monstrous, beautiful, but always in plain sight.

Pub Date: Feb. 27, 2002

ISBN: 0-86547-624-1

Page Count: 304

Publisher: North Point/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2002

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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