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THE ENIGMA BEYOND

From the Enigma series , Vol. 11

Dense but enthralling entry, with a bevy of new, potential narrative directions.

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The latest installment of this long-running technothriller series finds a next generation cyber security team facing off against unprincipled artificial intelligences.

MAG is an organization of technical leaders signified only by M, A, and G. They’re intent on controlling technology and using AIs to harvest people’s information. One such AI, JOAN, uses I-Drones to attack and overtake the North American Defense System in Colorado. Lt. Tony Bough, per his superior’s order, flees the facility, with the hopes of telling officials in Washington, D.C., what’s happened to NADS. Meanwhile, the R-Group, a family-run cyber security team that’s existed for decades, is training its young descendants to take the reins someday. Students in R-Group hacker Quip’s class gather intel when JOAN’s targeting of U.S. military and weapons-grade satellites proves understandably suspicious. But other AIs have seemingly gone rogue as well, including one holding sway over a Brazilian village and another on a Chinese space station. MAG’s nefarious plan ultimately affects R-Group members and students, like Juan Jr. on an assignment in São Paulo with Uncle Carlos, and Juan’s sister, Gracie, in a new job at Global Bank in Manhattan. The R-Group, with help from its own AI, ICABOD, works to put a stop to the AIs’ felonious deeds. Breakfield and Burkey jam-pack the 11th entry in their Enigma series with subplots, although some recurring characters, like Jacob and Petra, take a back seat. These storylines, however, including a politician that M has compromised, ultimately intersect in some capacity. The authors’ tech-savvy prose is typically sharp, but the story also has breaths of fresh air, from the still learning students to Tony’s off-the-grid run with new friend (aka romantic interest), Rose, that’s free of contemporary technology. Villains may be largely anonymous, but they’re well rounded, as personal agendas turn them against one another. They’re likewise topical: Most readers will easily link well-known companies to M, A, and G. As in previous installments, there’s an open ending and a strong possibility of further sequels.

Dense but enthralling entry, with a bevy of new, potential narrative directions.

Pub Date: Jan. 7, 2020

ISBN: 978-1-946858-40-5

Page Count: 382

Publisher: ICABOD Press

Review Posted Online: Feb. 11, 2020

Kirkus Reviews Issue: April 1, 2020

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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