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ON CATS

Cat lovers won’t confuse the author’s verse with T.S. Eliot’s, and Bukowski fans will find this of marginal significance.

A curious collection of writings about cats, as the self-acknowledged Dirty Old Man of American letters celebrates his feline affinities and affection.

Not nearly as substantial, provocative, or even interesting as this year’s other posthumous Bukowski collection, On Writing, this slim volume features poems and prose pieces—mainly distinguished by the length and formatting—that focus on, feature, or merely mention cats. “I / dislike cute cat / poems / but I’ve written one / anyhow,” writes the author in “My Cat, the Writer.” Though Bukowski didn’t care much for most of humanity, he did like cats a lot. Why? Because as the title of one poem puts it, “A Cat Is a Cat Is a Cat Is a Cat.” The autobiographical pieces reveal that he shared his home with as many as a half-dozen cats at a time and that these cats would bite him, sleep with him (and wake him early), urinate on him, and fight with other cats. Mainly, they were indifferent to him, even his flatulence, and he greatly admired their lack of neediness and their self-possession. “If you’re feeling bad,” he writes, “you just look at the cats, you’ll feel better, because they know that everything is, just as it is. There’s nothing to get excited about. They just know. They’re saviors. The more cats you have, the longer you live.” Bukowski called them his teachers, and he clearly identified with them, especially the bedraggled and stray ones. Of a cat at the vet, somehow walking again after being run over by a car, he writes, “this cat is me. He came to the door starving to death. He knew right where to come. We’re both bums off the street.”

Cat lovers won’t confuse the author’s verse with T.S. Eliot’s, and Bukowski fans will find this of marginal significance.

Pub Date: Oct. 13, 2015

ISBN: 978-0-06-239599-3

Page Count: 128

Publisher: Ecco/HarperCollins

Review Posted Online: June 3, 2015

Kirkus Reviews Issue: June 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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