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INHABITANT

A creative use of poetry tells a captivating, supernatural tale.

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A collection of SF–inspired poems focuses on searching for—and redefining—home.

In this four-part volume of poems, a person known only as “the inhabitant” is ejected from Earth and must find a new place to live. In the opening poem, “The Drop,” the speaker grapples with suddenly discovering themselves homeless. They watch their former planet burn, and as they let go of their past life, they vow to recreate a better version of themselves. They drift through the ether “like a runaway balloon” until a ship outfitted for one person appears. They consider a “home on the moon” but “everything screams of earth.” They contemplate life on Mars, Jupiter, and Saturn but instead of relocating, decide to continue journeying. Though the inhabitant grows weary, they still find hope in an orbit when “stars show their faces” and they see “a glitter of light, the sun, / still alive. / comforted, i continue on.” They find companionship with a stowaway spider on the ship but eventually wonder, “where’s my copilot?” when loneliness strikes.  Though they find a planet to inhabit, they soon grow agitated and leave to “navigate to my home, / to my future, / … / wherever that may be.” The book reads like a stripped-down novel in stanzas. Throughout, Crittenden skillfully plays with the white space on the page to impart the sensation of falling into the void or of being lost in the vast sky. The author is adept at describing this “environment of endless possibility.” From the “weak, spongy” ground to “the cool kiss of a dewy fog,” he skillfully transports readers to this strange, extraterrestrial setting. He asks profound questions like “what’s a planet without inhabitants? / what’s an inhabitant without a planet?” and makes poignant observations, such as “a planet alone can thrive, / but a drifting man can only truly exist on solid ground.” Though the work is based in SF, it isn’t hard to apply its reflections to all individuals who feel untethered or alien, no matter where they make their homes.

A creative use of poetry tells a captivating, supernatural tale.

Pub Date: Dec. 31, 2021

ISBN: 978-1-63988-049-2

Page Count: 132

Publisher: Atmosphere Press

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: April 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MINISTRY OF TIME

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

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A time-toying spy romance that’s truly a thriller.

In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

Pub Date: May 7, 2024

ISBN: 9781668045145

Page Count: 352

Publisher: Avid Reader Press

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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