Sixteen short stories by the noted urban fantasist capture both the wistful sadness of epic ballads and the lingering beauty of summer dreams. These tales (most published previously) were not originally written for teens, but all feature adolescent female protagonists, usually runaways, orphans, or those otherwise cast adrift. Organized by their shared settings, they reveal the transformation caused by discovering the mythic currents that flow beside, under, and through contemporary life. It can be two sisters who encounter vampires with a most unusual agenda (“There’s No Such Thing” and “Sisters”); or a half–breed runaway who runs afoul of an elfin biker gang, only to gain a champion with his own scars (“Stick”); or a rebellious rag-picker who creates her own family among the stray dogs and throwaway people (“But for the Grace Go I” and the title story); or a misunderstood music student, whose tales of faerie lead to accusations of drugs and devil-worship, until her mother admits to hiding from her own (“Ghosts of Wind and Shadow”). De Lint’s (Onion Girl, 2001, etc.) pen is ever graceful and evocative, his heroines simultaneously earthy and evanescent. Like the young artist of “Somewhere in My Mind There is a Painting Box,” most of them learn to tread the delicate balance between “fairies and fancies” and “the everyday magic all around.” But in the classic paradigm of adolescence, what they gain in wisdom and insight they lose in innocence; and they, like the reader, will always feel “the small ache that carries in it a seed of wonder.” (Short stories. YA)
Pub Date: Sept. 1, 2002
ISBN: 0-670-03584-X
Page Count: 416
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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