Despite the convoluted lineages, a rather sweet relationship novel.
Sentimental, wildly imaginative follow-up to The Onion Girl (2001) finds Jilly Coppercorn abducted into the fairy underworld and still sweet on fiddler Geordie Riddell.
The trouble between humans and the fairy spirits gets underway when fiddler Lizzie Mahone’s car breaks down on the way home from a gig with her band, the Knotted Cord. Attacked by a formidable gang of dwarfish, aggressive men called bogans, she’s rescued by a taciturn native named Grey. Lizzie buries the deer the bogans killed, enraging the fairies on the one hand, but on the other, endearing herself to the deer’s father, Walker. In the town of Newford, where the humans reside, occasional fiddler Geordie is dating a weird seer named Mother Crone who holds forth in the Woodforest Plaza Mall. Geordie’s been best friends with artist Jilly since before the hit-and-run accident that turned her into a Broken Girl in a wheelchair, but that’s as far as it goes. (“ ‘Everybody knows you carry a torch for each other,’ ” complains Jilly’s friend Mona. “ ‘You’re just never single at the same time.’ ”) Jilly breaks up with perfect boyfriend and nurse Daniel, leaving her free to join Geordie on a gig with the Knotted Cord at the Custom House—filling in for Lizzie’s fiddler cousin Siobhan, who broke her wrist in a fall instigated by the vengeful bogans. Abducted during their sleep by fairies and spirited away to the woodlands “in-between,” Lizzie and Jilly shape-shift into their younger selves and encounter all manner of strange creatures, from corbae and cerva to aganesha and crow girls (a glossary might have helped). Joe, wise kindred spirit to Jilly and peacenik among the rival factions, attempts to mollify Queen Tatiana (Mother Crone’s superior), while Jilly’s villainous siblings Del and Raylene make cameo appearances.
Despite the convoluted lineages, a rather sweet relationship novel.Pub Date: May 16, 2006
ISBN: 0-765-31285-9
Page Count: 560
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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