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HIWASSEE

Name: HIWASSEE
Author: Charles F. Price
ISBN: 0-89733-429-9

by Charles F. Price ‧ RELEASE DATE: June 1, 1996

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A grim, convincing, remarkably assured first novel about the darker byways of the Civil War. Set largely in the isolated mountains and fertile valleys of western North Carolina, Price's story follows the struggles of the once wealthy Curtis family in 1863 to survive one more year of war. Madison Curtis, an influential planter before secession, is a man increasingly hard-pressed by circumstance. His three sons, Howell, Jack, and Andy, are all in the Confederate Army. His daughters are without husbands. The fertile land goes untilled. His considerable holdings of livestock have been depleted by raids from several violent local clans. And then a raiding party claiming to be Union soldiers, but actually a band of thieves, deserters, and psychopathic thugs, rides up to his door. Throughout, freelance writer Price, brings an astonishing verisimilitude to the narrative. The salty, exact language, tough-minded views, hard lives, and bloody deeds of these characters ring true throughout. Behind the lines in Price's South, the law is largely nonexistent. Bandits of every description prowl the backwoods, along with deserters, those attempting to avoid conscription (the draft was as unpopular in the South as in the North), and contending forces of Union and Confederate troops prone to shoot first and ask questions later. There are many small, confused skirmishes, ambushes, and atrocities. Price moves back and forth between the sufferings of the Curtis family and the experiences of their boys at the battle of Chickamauga, an inconclusive Confederate victory. One of the boys, watching the vast numbers of men charging forward, thinks ``How huge and without pity'' the thing ``about to consume him'' now appeared. Price excels in catching the plight of individuals caught up in this vast event. The prose is occasionally too ripely folkloric, the structure, shuttling back and forth between characters, sometimes confusing, and the ending needlessly abrupt. But few recent novels have caught with such conviction the true texture and profound emotions of that conflict.

Pub Date: June 1, 1996

ISBN: 0-89733-429-9

Page Count: 197

Publisher: Academy Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).