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HIWASSEE

A grim, convincing, remarkably assured first novel about the darker byways of the Civil War. Set largely in the isolated mountains and fertile valleys of western North Carolina, Price's story follows the struggles of the once wealthy Curtis family in 1863 to survive one more year of war. Madison Curtis, an influential planter before secession, is a man increasingly hard-pressed by circumstance. His three sons, Howell, Jack, and Andy, are all in the Confederate Army. His daughters are without husbands. The fertile land goes untilled. His considerable holdings of livestock have been depleted by raids from several violent local clans. And then a raiding party claiming to be Union soldiers, but actually a band of thieves, deserters, and psychopathic thugs, rides up to his door. Throughout, freelance writer Price, brings an astonishing verisimilitude to the narrative. The salty, exact language, tough-minded views, hard lives, and bloody deeds of these characters ring true throughout. Behind the lines in Price's South, the law is largely nonexistent. Bandits of every description prowl the backwoods, along with deserters, those attempting to avoid conscription (the draft was as unpopular in the South as in the North), and contending forces of Union and Confederate troops prone to shoot first and ask questions later. There are many small, confused skirmishes, ambushes, and atrocities. Price moves back and forth between the sufferings of the Curtis family and the experiences of their boys at the battle of Chickamauga, an inconclusive Confederate victory. One of the boys, watching the vast numbers of men charging forward, thinks ``How huge and without pity'' the thing ``about to consume him'' now appeared. Price excels in catching the plight of individuals caught up in this vast event. The prose is occasionally too ripely folkloric, the structure, shuttling back and forth between characters, sometimes confusing, and the ending needlessly abrupt. But few recent novels have caught with such conviction the true texture and profound emotions of that conflict.

Pub Date: June 1, 1996

ISBN: 0-89733-429-9

Page Count: 197

Publisher: Academy Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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