A splendid assessment of the many ways there are to be a person, for good and ill.
British scholar and writer Foster delivers a spirited romp through human history and finds our time wanting in many ways.
Building on Being a Beast (2016), in which he looked at the world through the viewpoints of badgers, a fox, and other critters, Foster imagines a humdrum deep past in which not much happened until around the Stone Age, when some mysterious spark fired our imaginations. As he writes, “God is good and favours the Upper Palaeolithic,” and its inhabitants responded to that goodness by painting glorious works of art in hard-to-get-to places, placing their dead in carefully constructed graves, and building cultures. That age of metaphor and creation, of “self-creation and self-knowing,” came crashing down in the Neolithic, which brought us agriculture and urbanization. “In the Neolithic,” Foster laments, “we started to get boring and miserable,” controlled in all sorts of ways. Instead of moving through the land, knowing what to hunt and what to gather and paying close attention to our surroundings, we became machines of labor. The author offers a provocative, pleasing meditation on the different ways in which the two stages of human evolution made use of fire—one to create, one to destroy—and he cleverly links the Neolithic world of overcrowding, forced labor, taxation, epidemic disease, and other woes to our time: “Continue synergistically for 12,000 years or so, and you have us.” This is a magpie book full of intriguing anthropological sketches. On one page, Foster notes that a circular house “is an intrinsically democratic space,” and on another, that the Romans were more interested in nature than were the Greeks. Throughout, the author makes connections between minds past and present with the “more-than-human world.” It’s a book that fits neatly into the growing library of modern British natural history writing, alongside the best of Nan Shepherd, Robert Macfarlane, and Roger Deakin.
A splendid assessment of the many ways there are to be a person, for good and ill.Pub Date: Aug. 31, 2021
ISBN: 978-1-250-78371-4
Page Count: 400
Publisher: Metropolitan/Henry Holt
Review Posted Online: June 21, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
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SEEN & HEARD
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
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BOOK TO SCREEN
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