An informative memoir that fills in some gaps in the social justice record.
Francis writes about recovering gay history one document at a time in this debut memoir.
What’s past is prologue, not only for individuals but for whole communities. “But what if you cannot find the past?” asks the author in his introduction. “What happens when all evidence, every shred, has been erased, deleted, sealed, or purposefully forgotten? What if the past is torched or stuffed into garbage bags and dumpsters? For LGBTQ Americans this has been the way of our world.” Archive activism, the process that Francis describes in this book, is the attempt to recover that history in the form of whatever archival materials have been squirreled away in attics, basements, government archives, and law libraries as a means of furthering social justice causes in the present. The author’s passion for reclaiming gay history led him to resurrect the Mattachine Society—a 1950s-era gay rights group—in 2011. Through the Society, Francis was able to retrieve troves of records related to such actions as Nancy Reagan’s refusal to help Rock Hudson get into a leading hospital for his AIDS treatment and attempts by President Lyndon Johnson to hide the sexual orientation of one of his aides. The author makes his own additions to the corpus of gay history, recounting his exposure to gay cinema as a graduate student in Los Angeles and his eventual involvement, beginning in the 1980s, as an out gay man in Republican Party politics. (He even helped presidential candidate George W. Bush connect with gay and lesbian voters.) Francis writes with candor and conviction, as here when he describes his meeting with Bush’s chief strategist, Karl Rove: “I emphasized this would represent a new generation ready to make homosexuality a nonissue for the Republican Party. There could be no going back to the Reagan years of psychologically self-tormented, closeted cases…” Though Francis may not be who readers first think of when they think of an activist, his account is a fascinating and illuminating addition to the history of gay liberation.
An informative memoir that fills in some gaps in the social justice record.Pub Date: Sept. 27, 2023
ISBN: 9781574419085
Page Count: 288
Publisher: University of North Texas Press
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 15, 2024
Review Program: Kirkus Indie
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: yesterday
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