by Charles Frode ‧ RELEASE DATE: Oct. 4, 2016
A touching, if sometimes meandering, account of a half century of brotherly love.
A memoir recounts a friendship’s depth and intimacy, inspired by a Herman Hesse novel.
Even when Frode (One Times One & Other Numinous Stories of Redemption and Loss, 2015, etc.) was a young boy, he was drawn to the meditative refuge provided by silence. It became obvious to others by the time he was a teenager that he was destined for a religious vocation. Frode was ready to become a monk by age 17, after his high school graduation. He was still too young, though, and took philosophy classes at a local college while spending his time off at a Trappist monastery in Northern California. There he met Brother Paul Williams, who became his closest male friend. Their kinship was profoundly spiritual as well as intellectual. They were fellow travelers on the winding path to transcendence: “Yet here was a man who was looking for the same elusive thing as I was—how to best live on the deepest levels of life.” Frode eventually decided to leave the monastery, and thoughtfully chronicles his adventures, which include two wives, parenthood, and no shortage of erotic experimentation. In some respects, the book is a tribute to the author’s mentors, and he lovingly discusses two professors whose influence remains indelible, and Doctor David, a healer and close confidant. This is also a philosophical autobiography that charts the arc of Frode’s development; like one of his idols, Thomas Merton, he read widely and was magnetized to Eastern spiritual writings. Still, the recollection’s centerpiece is Frode’s connection to Brother Paul; the author uses Hesse’s Narcissus and Goldmund as a literary key to understanding their mutual affection. Frode begins each chapter with an excerpt from that book, juxtaposed with one from his correspondence with Brother Paul. This is a strikingly candid memoir, and the author’s account of Brother Paul’s death—Frode was at his side when he took his last breath—is poignant. It’s never clear why the author left the monastery—he chalks up the impulse to an “inner voice” beckoning him to the beyond, but this is strangely trite for an otherwise searching examination. In addition, Frode’s writing style strongly favors the verbose and grandiloquent—paragraph-long sentences are bursting at the seams with gratuitous adjectives. But this remains an emotionally moving homage to a beautiful friendship, a peculiarly cerebral love letter.
A touching, if sometimes meandering, account of a half century of brotherly love.Pub Date: Oct. 4, 2016
ISBN: 978-1-365-33900-4
Page Count: 162
Publisher: Lulu
Review Posted Online: Nov. 24, 2016
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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