by Charles J. Shields ‧ RELEASE DATE: Oct. 15, 2018
Though Stoner has proven to be a novel whose compassionate themes have timeless appeal, this portrait of the irksome...
A biography of a nearly forgotten mid-20th-century American writer.
A notable literary sensation of recent years is the belated success of the 1965 novel Stoner. This quietly intense story of an English professor at a small Midwestern college was the third of only four published novels by author John Williams (1922-1994). Though the book was favorably reviewed, it sold poorly. But thanks to the efforts of devoted readers and fellow writers, the book has slowly gained a cult following, which led to a reprint in 2006. The larger success was established first through foreign editions before gaining recognition in the U.S. Literary biographer Shields (Mockingbird: A Portrait of Harper Lee: From Scout to Go Set a Watchman, 2016, etc.) provides a respectful and well-documented yet occasionally lackluster overview of Williams’ life and career. Beginning with his subject’s humble origins in northeast Texas, Shields tracks his experiences in the Army during World War II, early academic and writing pursuits, and then his 30-year tenure as a professor at the University of Denver, where he also served as the director of their creative writing program. Along the way, we see glimpses of Williams’ personal life, but what ultimately emerges is a fairly predictable portrait of yet another heavy-drinking, chain-smoking postwar American white male writer. He sustained a focused eye on his craft but apparently had limited interest in his students or family, and his continual and often desperate ambition for fame somewhat diminished his reputation within his department. His disdain for modernist and experimental writing and his reluctance to reflect directly on his times also left him out of sync with reading interests of that period, including the more provocative work of contemporaries ranging from Norman Mailer to John Barth.
Though Stoner has proven to be a novel whose compassionate themes have timeless appeal, this portrait of the irksome Williams, though brisk and readable, may do little to further advance the book’s cause.Pub Date: Oct. 15, 2018
ISBN: 978-1-4773-1736-5
Page Count: 304
Publisher: Univ. of Texas
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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