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THE END OF PRIVACY

While Sykes's reach is wider than it is deep, he poses the questions that we must address if we are to prevent a continued...

In a famous phrase, Supreme Court Justice Louis Brandeis once observed that, at least with respect to the government, the right to privacy gave citizens "the right to be let alone." That right is being eroded, says journalist Sykes (Dumbing Down Our Kids, 1995, etc.).

According to Sykes, the Information Age has placed privacy, which has always been precarious, in further jeopardy by making the most intimate information available in a couple of keystrokes. While in the past privacy has been most at risk from governmental intrusion, this is no longer the case. Sykes catalogues ways that commercial applications, which track everything from consumer preferences to medical histories, have begun to erode the private sphere. Many of these collection efforts have good intentions, such as promoting public health or collecting unpaid child support. Once these databases have been compiled, however, they are subject to unintended uses and abuses. For instance, genetic testing conducted to help at-risk individuals avoid medical complications can just as easily be used by insurers to exclude high-risk applicants from coverage. What do Americans think about all of this? The answer seems to be, not much. Sykes is clearly frustrated by our lack of alarm in the face of a problem that has dire implications for individual autonomy. He suggests that our apathy stems from a combination of forces, ranging from our talk-show "tell-all" mentality to our sense that technology has become so ubiquitous that struggling against it is futile. What can we do? Sykes sensibly acknowledges that attempts to carve out legislative protections for individual privacy are unlikely to succeed. Rather, he recommends that we take a modest first step: begin by placing a higher premium on our own privacy.

While Sykes's reach is wider than it is deep, he poses the questions that we must address if we are to prevent a continued erosion of personal privacy.

Pub Date: Oct. 1, 1999

ISBN: 0-312-20350-0

Page Count: 304

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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